[ Students & Alumni ]

Helen Hagan’s grave finally marked in overdue ceremony

Hagan is believed to have been YSM's first female African American student
September 30, 2016

dsc_4597A long overdue ceremony was held at New Haven’s Evergreen Cemetery on Thursday, September 29, to honor Helen Eugenia Hagan, who died in 1964 and was buried alongside her parents, albeit without individual mention. A headstone was placed on Hagan’s grave as members of the local community and others who’ve been connected to Hagan’s legacy acknowledged her extraordinary life.

Elizabeth Foxwell, who organized a crowd-funding campaign to permanently mark Hagan’s resting place — a campaign to which the Yale School of Music contributed — said, “Journalist, professor, Yale alum, and future NAACP activist William Pickens wrote the following about Hagan in 1916: ‘I remember […] I settled back into an easy chair to listen when the little girl was led in by her mother and seated at the piano just to show me. She showed me and has since shown hundreds of thousands that genius […] will out.'” Foxwell, who edited the 2015 anthology In Their Own Words: American Women in World War I (Oconee Spirit Press), also quoted from a letter Hagan penned in 1932 to W.E.B. Du Bois describing the struggles she was experiencing.

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Helen Hagan is believed to have been the Yale School of Music’s first female African American student. She graduated from the School in 1912 and soon thereafter became the only African American performer to travel to France to entertain Black troops stationed there after World War I. Hagan was the first African American pianist to perform a recital at a New York concert venue. While at Yale, Hagan performed with the New Haven Symphony Orchestra and composed and performed her Piano Concerto in C minor, which, sadly, is the only one of her compositions to have survived.

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From left: Paul McCraven, a member of Evergreen Cemetery’s board of directors; Dr. Robert Elliott, head of the music department at Tennessee State University; Connecticut state Rep. Patricia Dillon; New Haven Mayor Toni Harp; Yale School of Music Dean Robert Blocker; and Elizabeth Foxwell, editor of “In Their Own Words: American Women in World War I”

Yale School of Music faculty composer Hannah Lash described the first movement of that piece as “an intriguing glimpse into a bright, young mind” and said Hagan “was a figure who was so unspeakably brave to forge ahead and swim against the current in order to achieve extraordinary things. … I am inspired by what little I know of Helen Hagan. She represents what I love most in music and in my favorite composers: the audacity to be everything that one can be.”

In his 2016 Convocation address, delivered on September 8, Yale School of Music Dean Robert Blocker said, “It may surprise some of you to know that when the Yale Corporation voted to establish a School of Music in 1894, they also approved a Bachelor of Music degree that was open to women and men. Now, cynics might say that not offering a Bachelor of Arts in Music retained the exclusivity of Yale College as a male enclave, but I find it a lot more interesting and compelling that music was Yale’s very first commitment to diversity and inclusivity.”

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During the September 29 grave-marking ceremony at Evergreen Cemetery, Blocker talked about that aspect of the School’s history, saying, “Here you have … a small School of Music that says, ‘Yes, we’re going to take women. Yes, we’re going to disregard color … we’re going to take people on the promise of their God-given talent.'”

Blocker read a poem by John Greenleaf Whittier (lines that originated with the 13th century Persian poet Saadi and have since been often borrowed and unattributed) — “If thou of fortune be bereft, and in thy store there be but left two loaves, sell one, and with the dole buy hyacinths for the soul” — and said, “Helen Hagan bought hyacinths and gave them to the souls of the troops, of this community, of her students, of people at Tennessee State (University, where Hagan taught). Those flowers grow today in our lives and in the lives of our students.”

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Others who spoke at the September 29 grave-marking ceremony include Evergreen Cemetery board member Paul McCraven; the Rev. Dr. Frederick Streets, senior pastor at the Dixwell Avenue Congregational Church (where Hagan performed when she was just 11); New Haven Mayor Toni Harp; Dr. Robert Elliott, head of the music department at Tennessee State University; and Dr. Reginald McDonald, a professor at Tennessee State University. Yale School of Music trumpet player Andrew Stadler ’17MM played Taps.

YSM, ON HELEN HAGAN
ELIZABETH FOXWELL

COMMENTS ( 2 )

Thank you for honoring and paying tribute to this gifted pioneer student in the School of Music. I was also pleased to note that YSM was one of the first performing arts schools in the nation to accept students of color based on their talent and potential for success,and I am additionally proud to be a member of the Class of 1965.
It is no secret that we all stand on the shoulders of numerous individuals who dedicated themselves to serving the cause of music and sharing it with everyone,and Helen Hagan demonstrated by example that she devoted her life to that effort.

October 4th, 2016 | Althea Waites

It’s wonderful reading about Helen Hagan, a graduate of Yale School of Music, getting a tombstone for her grave and her contributions to music. The blue ribbon and flowers look very pretty on her grave where she’s buried next to her parents. She made a big impression playing the piano in NYC and for people such as William Pickens and WWI soldiers stationed in France.

December 1st, 2016 | Anthony