Juliana Hall ’87MM premieres song-cycle at Norfolk

Juliana Hall

Juliana Hall

O Mistress Mine, a song-cycle for countertenor by composer Juliana Hall ’87MM, received its world-premiere performance on Aug. 5 at the Norfolk Chamber Music Festival. The piece, which is set to texts from Shakespeare’s plays, was performed by Darryl Taylor with the composer at the piano. The song-cycle was written for countertenor Brian Asawa, who was to perform the premiere but died in April. The Norfolk performance honored Asawa’s memory and recognized the 400th anniversary of the Bard’s death.

The Aug. 5 performance of O Mistress Mine kicked off a season in which Hall’s vocal works Christina’s WorldRoosters, The Bells, and How Do I Love Thee?; and Upon This Summer’s Day will be premiered in programs of the Cincinnati Song Initiative, the Contemporary Undercurrent of Song Project in Princeton, New Jersey, and the London Festival of American Music, respectively. Other song-cycles by Hall have been programmed for performances this season in Boston, New York, and Washington, D.C.

Hall studied composition at the Yale School of Music with Martin Bresnick, Leon Kirchner, and Frederic Rzewski. She was awarded a Guggenheim Fellowship in 1989. Hall has composed works for such acclaimed vocalists as Asawa, baritone David Malis, and soprano Dawn Upshaw and has had her music performed around the world.

JULIANA HALL

Published September 16, 2016
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Rolston String Quartet wins Banff International String Quartet Competition

Rolston String Quartet | Photo by Tianxiao Zhang Photography

Rolston String Quartet | Photo by Tianxiao Zhang Photography

The Rolston String Quartet (’16 Norfolk) has been named the First Prize Laureate of the 2016 Banff International String Quartet Competition, which concluded after five rounds on Saturday, September 4. “In addition to a generous cash prize of $25,000,” the Banff Centre for Arts and Creativity announced, “the Rolston String Quartet will benefit from a comprehensive custom-designed three-year career development program including a professional recording at Banff Centre and a performance tour in over 50 North American and European cities.” The ensemble also won the Esterházy Foundation Prize and the Lunenburg Academy of Music Performance Prize.

“This young quartet now has the opportunity to share their artistry with the world,” Barry Shiffman, the competition’s executive director, was quoted as saying.

The Tesla Quartet, whose members—including violist Edward Kaplan ’10MM ’11AD—attended Norfolk in 2011, earned Second Prize at the BISQC, receiving a $12,000 award. The Tesla Quartet also won the R.S. Williams & Sons Haydn Prize and the Canadian Commission Prize, each of which came with a $3,000 award. MORE

Published September 6, 2016
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Alumnus Jeff Fuller joins YSM Jazz Initiative

Jeff Fuller | Photo by Studio Duda Photography

Jeff Fuller | Photo by Studio Duda Photography

Bassist and composer Jeff Fuller ’67BA ’69MM is joining the Yale School of Music’s recently announced Jazz Initiative as an ensemble coach. He’ll work alongside Grammy Award-winning saxophonist Wayne Escoffery, who will teach a course in improvisation and coach jazz combos.

As a performer, Fuller has worked with such acclaimed jazz artists as Mose Allison, Dizzy Gillespie, “Papa” Jo Jones, Gerry Mulligan, and Clark Terry, among others. He’s a leader of the New Haven-based Brazilian jazz trio Sambeleza, has toured with ensembles led by Paquito D’Rivera and Hilton Ruiz, and has composed and arranged music for the salsa band Irazú, whose recordings have featured Arturo Sandoval and Tata Güines. Fuller has received commissions from the New Haven Symphony Orchestra and Hartford Symphony Orchestra and has had his music recorded by the Haven String Quartet. His first CD of original music, The Call from Within, was released in 2014. His second, Shoreline Blues, came out in May 2016.

Fuller, who studied composition at the Yale School of Music with Bülent Arel, taught composition and jazz theory and conducted jazz ensembles at ACES Educational Center for the Arts for many years. He currently teaches and leads the Premiere Jazz Ensemble at Neighborhood Music School.

Professor Thomas C. Duffy who directs the University’s bands and oversees the YSM Jazz Initiative, said Fuller brings to the program “expertise with combos, big bands, Latin jazz, and traditional jazz” and expertise in Cuban and Brazilian rhythms. Fuller has been “a major figure in the jazz scene since I arrived here in 1982,” Duffy said.

A key component of the Initiative is the Yale Jazz Ensemble, which is being reconstituted after being suspended two years ago. Formerly an extracurricular undergraduate organization, the Yale Jazz Ensemble, under Duffy’s direction, will be open to all Yale students. MORE

Published August 31, 2016
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Augusta Read Thomas to launch Ear Taxi Festival

Augusta Read Thomas | Photo by Anthony Barlich

Augusta Read Thomas | Photo by Anthony Barlich

Conceived in 2013 by composer Augusta Read Thomas MM, the inaugural Ear Taxi Festival, scheduled to take place October 5-10, will celebrate Chicago’s flourishing and dynamic contemporary music scene with concerts, lectures, sound installations, webcasts, and artist receptions.

“The open collaborative nature of Chicago’s new music community is home to an extraordinary crop of ensembles and a vibrant landscape of composers,” Thomas has said. “The scene for new music in Chicago is exceptional and I dedicate myself to supporting and encouraging its sustainability and growth.” MORE

Published August 26, 2016
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Paweł Konik reaches finals of “Le Grand Prix de l’Opéra”

Paweł Konik | Photo by Anna Płóciennik

Paweł Konik | Photo by Anna Płóciennik

Earlier this month, bass-baritone Paweł Konik reached the final round of “Le Grand Prix de l’Opéra,” the International Voice Competition organized by the Bucharest National Opera. Konik earned a special Excellency Prize, presented by the Russian Embassy, for his interpretation of “Aleko’s Cavatina” from Rachmaninoff’s Aleko. He also performed “Vedro mentr’io sospiro” from Mozart’s Le nozze di Figaro and “O du mein holder Abendstern” from Wagner’s Tannhäuser.

Konik, a native of Poland, is a member of the Yale Opera program, where he studies with Doris Yarick-Cross and Richard Cross. Konik also worked on his competition repertoire with YSM faculty members Douglas Dickson, Timothy Shaindlin, and Kyle Swann. During the 2015-2016 concert season, Konik appeared in Yale Opera productions of Britten’s A Midsummer Night’s Dream and Massenet’s Don Quichotte. Prior to coming to Yale, Konik attended the Karol Szymanowski Academy of Music in Katowice. MORE

Published August 24, 2016
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David Kaplan appointed Lecturer in Piano at UCLA

David Kaplan | Photo by Samantha West

David Kaplan | Photo by Samantha West

Pianist David Kaplan ’07MM, ’08MMA, ’14DMA has been appointed Lecturer in Piano for the 2016-2017 academic year at the UCLA Herb Alpert School of Music.

Kaplan has appeared in programs presented by the Ravinia Festival, National Gallery of Art, Tanglewood Music Center, Mostly Mozart Festival, and Chamber Music Society of Lincoln Center, among others. He is a core member of Decoda, an Affiliate Ensemble of Carnegie Hall, and is the artistic director of Lyrica Chamber Music, a concert series in Chatham Township, New Jersey.

In March 2015, Kaplan presented New Dances of the League of David, a piano suite that juxtaposes contemporary works with Schumann’s Davidsbündlertänze, Op. 6, at Le Poisson Rouge, in New York. Among those from whom Kaplan solicited new music for the suite are Yale School of Music faculty composers Martin Bresnick and Hannah Lash ’12AD, and YSM alumni Samuel Carl Adams ’10MM, Timo Andres ’07BA ’09MM, Ted Hearne ’08MM, Andrew Norman ’09AD, Caroline Shaw ’07MM, and Augusta Read Thomas MM. Anthony Tommasini included Kaplan’s performance on The New York Times’ list of “The Best Classic Music of 2015.”

Throughout his time at Yale, Kaplan studied with Claude Frank. Prior to enrolling at Yale, Kaplan studied with Walter Ponce at the UCLA Herb Alpert School of Music and, by way of a Fulbright grant, studied conducting with Lutz Köhler at the Universität der Künste Berlin.

DAVID KAPLAN

Published August 19, 2016
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Ralph Kirshbaum receives honorary doctorate from Royal Conservatoire of Scotland

Carol Coburn Grigor, left, a member of the Yale School of Music's Board of Advisors, and Ralph Kirshbaum, in Glasgow, Scotland

Carol Colburn Grigor ’69MMA, a member of the Yale School of Music’s Board of Advisors, and Ralph Kirshbaum, in Glasgow, Scotland

Cellist Ralph Kirshbaum ’68BA was one of three acclaimed artists to receive an honorary degree from the Royal Conservatoire of Scotland in July. Jeffrey Sharkey ’88MM, the school’s principal, recognized Kirshbaum with an Honorary Doctor of Music Degree during graduation ceremonies on July 5. Actor David Tennant and choreographer Sir Matthew Bourne were also recognized.

“David, Sir Matthew and Ralph are all world leaders in their fields and we’re thrilled to celebrate their achievements,” Sharkey was quoted in a news release as saying. “This creates also a wonderful opportunity for our students to engage with such inspirational individuals as they prepare to enter into the professional world in their own right.”

A former student of Aldo Parisot, Kirshbaum has worked with many of the world’s most renowned ensembles and artists. For three decades, he performed and recorded in a trio with violinist György Pauk and YSM faculty pianist Peter Frankl. He is the Gregor Piatigorsky Chair in Violoncello and chair of the string department at the University of Southern California’s Thornton School of Music. He taught previously at the Royal Northern College of Music in Manchester, England, and, in 2012, founded the Piatigorsky International Cello Festival in Los Angeles. In 2001, President George W. Bush appointed Kirshbaum, a Texas native, to a five-year term on the President’s Committee on the Arts and the Humanities.

Published August 16, 2016
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Jay Wadley composes score for Sundance hit “Indignation”

Jay Wadley

Jay Wadley

James Schamus’ film Indignation, which is based on Philip Roth’s 2008 novel of the same name, opens tomorrow in theaters across the United States. The film’s score was composed by Jay Wadley ’07MM ’08AD, who studied at the Yale School of Music with Martin Bresnick, Aaron Jay Kernis, and Ezra Laderman.

“He wanted something that was very classical,” Wadley said of Schamus’ direction, “and he knew that was my background.”

Reached by phone at his New York City-based composer collective/production company Found Objects, which he and fellow Yale School of Music alumnus Trevor Gureckis ’07MM started during graduate school in New Haven, Wadley said he first worked with Schamus when the latter directed “That Film About Money” and “The Second Part of That Film About Money,” two short documentaries released in 2014 as part of Morgan Spurlock’s We the Economy series. When they first met, Wadley said, he and Schamus talked about classical music and about Wadley’s experiences helping to orchestrate Rufus Wainwright’s opera Prima Donna and his song cycle All Days Are Nights: Songs for Lulu.

MORE

Published July 28, 2016
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Christoph Campestrini appointed Kapellmeister of Vienna’s Hofkapelle

Christoph Campestrini

Christoph Campestrini

Yale School of Music alumnus Christoph Campestrini ’92MM has been appointed Kapellmeister at Vienna’s Hofkapelle, home of the Vienna Boys’ Choir. With the appointment, Campestrini joins the ranks of the historically important and influential musicians who have been members of the Hofkapelle. He will lead the famed Hofmusikkapelle, which includes the Vienna Boys’ Choir and members of the Vienna State Opera orchestra and chorus.

“Being aware of the 500-year tradition of this institution that included Joseph Haydn, Franz Schubert, and Anton Bruckner is a humbling experience and at the same time requires a commitment for the highest excellence,” he said. “In addition to my work in Europe, I also look forward to continuing to come to the United States and Canada several times every season and renewing cultural ties that go back to my time at the Yale School of Music, of which I have only the best memories.”

Campestrini has worked with such internationally acclaimed artists as Gidon Kremer, Julian Rachlin, Alisa Weilerstein, Lang Lang, and Julia Fischer and has led many of the world’s renowned orchestras including the London Symphony Orchestra, the radio orchestras of Moscow, Frankfurt, Budapest, and Vienna, and the national orchestras of Mexico and Taiwan, among others. He appears regularly as a guest conductor in the United States and Canada, having led the Philadelphia Orchestra, Houston Symphony, Detroit Symphony Orchestra, Vancouver Symphony Orchestra, National Arts Centre Orchestra (Ottawa), Orchestre Symphonique de Québec, and Orchestra Métropolitain in Montreal.

Born in Linz, Austria, Campestrini studied at The Juilliard School and the Yale School of Music.

WEBSITE

 

Published July 20, 2016
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Kensho Watanabe appointed assistant conductor of Philadelphia Orchestra

Kensho Watanabe

Kensho Watanabe

Kensho Watanabe ’09BS ’10MM has been appointed assistant conductor of the Philadelphia Orchestra, where he’ll serve under acclaimed Music Director Yannick Nézet-Séguin. Watanabe studied conducting with Otto-Werner Mueller at the Curtis Institute of Music, earning a Diploma in 2013. As the school’s first Rita E. Hauser Conducting Fellow, Watanabe was mentored for two years by Nézet-Séguin and had “incredible access” to the Philadelphia Orchestra, with which he’s worked as a substitute violinist. Watanabe has directed numerous Curtis Opera Theatre productions and served as an assistant to Nézet-Séguin for Opera de Montréal’s 2015 production of Elektra.

Watanabe studied molecular, cell, and developmental biology at Yale College, earning a Bachelor of Science degree in 2009. He earned his master’s degree in violin from the Yale School of Music, where he studied, as he had as an undergraduate, with Syoko Aki.

“Being at Yale really sparked my interest in conducting,” Watanabe said, citing Yale Symphony Orchestra Music Director Toshiyuki Shimada, whom he assisted as an undergraduate, as a particularly supportive figure.

The summer after completing his undergraduate degree, and in the summers of 2010 and 2011, Watanabe studied with Michael Jinbo at the Pierre Monteux School and Summer Music Festival, where his interest in conducting took hold and led him to Mueller’s studio at Curtis.

In addition to his work with the Philadelphia Orchestra, Watanabe’s upcoming schedule includes appearances with the Orlando Philharmonic Orchestra, San Diego Symphony Orchestra, Alabama Symphony Orchestra, and Orchestra Métropolitain in Montreal.

Looking forward to his work in Philadelphia, Watanabe said, “I’ve really grown up with this orchestra. I’ve learned so much from this orchestra.”

Watanabe’s appointment begins with the 2016-2017 Philadelphia Orchestra season.

Published July 19, 2016
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