Willie Ruff awarded honorary doctorate

Willie Ruff receives an honorary doctorate from University President Salovey. Photo by Michael Marsland

As part of Yale’s 317th Commencement, which took place on May 21, the University awarded honorary degrees to “10 individuals who have received distinction in their respective fields.” Among the recipients was Willie Ruff ’53BM ’54MM, who retired in May 2017 having spent 46 years on the School of Music faculty.

Presenting Ruff with an honorary doctor of music degree, University President Peter Salovey said, “You have shared the wonders of music with the world. Introducing new audiences to the transcendent power of jazz; you discovered the echoes of distant times and faraway places in this quintessential American art form. In your ‘conservatory without walls,’ generations of young people have been inspired by jazz legends. Scholar, storyteller, and musician, in gratitude for your creativity and charisma, we are privileged to present your third Yale degree, Doctor of Music.”

The “conservatory without walls” to which Salovey referred is the “‘invisible institution’ through which African American music has been nurtured and developed over time,” explained Lucile Bruce in the Spring 2017 issue of Music at Yale. In 1972, a year after joining the faculty at his alma mater, Ruff brought 40 jazz legends to Yale — among them Duke Ellington, Marian Anderson, Dizzy Gillespie, and Charles Mingus — and launched the Duke Ellington Fellowship and the Ellington Jazz Series.

Throughout his extraordinary career, Ruff has introduced audiences around the world to jazz. With pianist Dwike Mitchell, Ruff — a horn and bass player — brought the art form to the Soviet Union in 1959 and to China in 1981.

Ruff’s scholarship has yielded remarkable insight into musical connections, and his eagerness to share his experiences and knowledge has enlightened many. His 1991 memoir, A Call to Assembly: The Autobiography of a Musical Storyteller, earned him an ASCAP Deems Taylor Award for Music Writing.

At the School of Music’s 2017 Honors Banquet, Ruff was given Yale University’s Nathan Hale Award. “He’s changed all our lives,” YSM Dean Robert Blocker said.

Ruff came to the Yale School of Music to study with Paul Hindemith — because he had read that Charlie Parker would have done the same. More than half century later, the School and the University continue to recognize and appreciate his remarkable legacy.

READ THE MUSIC AT YALE FEATURE
WATCH A VIDEO ABOUT WILLIE RUFF

Published May 23, 2018
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YSM Alumni News | May 2018

Pianist Tanya Bannister CERT was named president of the Concert Artists Guild. She succeeds Richard S. Weinert, who plans to retire in June after 18 years at the organization.

Violinist Qi Cao ’10MM won a position with the North Carolina Symphony Orchestra and will join the ensemble in September 2018. Cao has been a member of the Louisiana Philharmonic Orchestra for five years.

The Jasper String Quartet. Photo by Dario Acosta

The Jasper String Quartet, which includes violinists John Freivogel ’10AD and Sae Chonabayashi, violist Sam Quintal ’10AD, and cellist Rachel Henderson Freivogel ’10AD, had their album Unbound named one of The New York Times’ “Top 25 Classical Albums of 2017.” The recording includes works by YSM alumni Judd Greenstein ’04MM, Caroline Shaw ’07MM, Missy Mazzoli ’06MM, Ted Hearne ’08MM ’09MMA ’14DMA, and David Lang ’83MMA ’89DMA and was released on the Sono Luminus and New Amsterdam labels.

Composers Michael Gilbertson ’13MM ’21DMA and Ted Hearne ’08MM ’09MMA ’14DMA were named co-finalists for the 2018 Pulitzer Prize in Music. Gilbertson was nominated for his work Quartet, which was commissioned by the Verona Quartet, Concert Artists Guild, and BMI Foundation, and Hearne was nominated for his work Sound from the Bench, which was commissioned by Volti and The Crossing.

Darren Hicks

Darren Hicks ’14MM was appointed associate principal bassoonist of the Toronto Symphony Orchestra. Hicks has been a fellow at the New World Symphony, in Miami Beach, Fla., for the past three years.

Alumna Molly Joyce ’17MM and incoming students Alexis C. Lamb ’20MM and Peter Shin ’20MMA received ASCAP (the American Society of Composers, Authors, and Publishers) Foundation Morton Gould Young Composer Awards.

Violinist Dennis Kim ’98MM was named concertmaster of the Pacific Symphony in Orange County, Calif. Kim has served as concertmaster of the Buffalo Philharmonic Orchestra since 2015.

Composers Yoshiaki Onishi ’07MM ’08AD and Carl Schimmel ’99MM were awarded Guggenheim Fellowships for music composition.

Two alumni received awards from the Richard Tucker Music Foundation. Bass-baritone Christian Van Horn ’02MM ’03AD received the Richard Tucker Award, and bass David Leigh ’14MM received a Sara Tucker Study Grant.

Published May 9, 2018
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Prizes awarded at annual Honors Banquet

Dean Robert Blocker

On Sunday, May 6, YSM Dean Robert Blocker told graduating students that he looks forward to hearing their music in venues around the world. The occasion was the School’s annual Honors Banquet, which was held this year at the Omni New Haven Hotel at Yale. Attendees included students and alumni, faculty and staff, YSM board members Mary Beth Buck, Walter Buck, and Stephanie Yu Lim, and emeritus staff and faculty members Rosemary Gould, Gene Kimball, Judy Long, and Mary-Jo Warren. Aimlee Laderman, whose late husband Ezra Laderman was a longtime member of the School’s composition faculty and from 1989 to 1995 served as Dean, was also in attendance.

Blocker announced that the Ian Mininberg Distinguished Service Award would be presented at Commencement, as this year’s recipient, composer Lori Laitman ’76MM, was unable to attend the Honors Banquet, at which the award is traditionally conferred. Blocker congratulated students who won or placed at competitions this year and acknowledged YSM’s Music in Schools Initiative, whose leadership — Director Rubén Rodríguez ’11MM, Associate Dean Michael Yaffe, and Yaffe’s assistant, Rachel Glodo — was recognized by the University in April with an Ivy Award for the work the program does at Yale and in the New Haven community. “Yale has no finer community engagement program than Music in Schools,” Blocker said.

At the end of the night, Blocker expressed his gratitude to students, faculty, and staff for a wonderful year. “As one who at different moments has been touched by your talent and compassion,” he said, “I want to thank you on behalf of a wider audience.”


The following student prizes were presented during the Honors Banquet.

Brass and Woodwinds

The Thomas Daniel Nyfenger Memorial Prize, which is awarded to a graduating student who has demonstrated the highest standard of excellence in woodwind playing, was presented to oboist Lauren Williams. The John Swallow Prize, which is given to an outstanding brass player whose artistry and dedication have contributed to the department, was awarded to trombonist Zachary Haas.

Left to right: Dean Robert Blocker, Director of Choral Conducting Marguerite Brooks, Joseph Kemper, and Professor of Choral Conducting Jeffrey Douma

Left to right: Dean Robert Blocker, Director of Choral Conducting Marguerite Brooks, Joseph Kemper, and Professor of Choral Conducting Jeffrey Douma

Choral Conducting

The inaugural Robert Shaw Prize, given in honor of the renowned American choral conductor and awarded to a choral conducting major in the School of Music chosen by the choral conducting faculty for distinguished achievement, was presented to Joseph Kemper.

Composition

The Woods Chandler Memorial Prize for the best composition in a larger form written during the year was awarded to Krists Auznieks. The Rena Greenwald Memorial Prize for the best piano composition written during the year went to Alishan Gezgin. The John Day Jackson Prize for outstanding chamber music compositions written for strings with or without other instruments was presented to Fjóla Evans. The Frances E. Osborne Kellogg Memorial Prize for the best composition written in a contrapuntal style was given to Liliya Ugay. And the Ezra Laderman Prize for the best compositions written for musical theater or voice was awarded to Sophie Cash-Goldwasser and Eli Greenhoe.

Dean Robert Blocker, Sophie Cash-Goldwasser, Eli Greenhoe, and Professor of Composition Martin Bresnick

Left to right: Dean Robert Blocker, Sophie Cash-Goldwasser, Eli Greenhoe, and Professor of Composition Martin Bresnick

Guitar

The Eliot Fisk Prize, which is given to an outstanding guitarist whose artistic achievement and dedication have contributed greatly to the department, was awarded to Gunnlaugur Björnsson.

Organ

The Charles Ives Prize, which is awarded to an outstanding organ major, went to Diana Chou. The Julia R. Sherman Memorial Prize for excellence in organ playing was awarded to Matthew Daley.

Piano

The Charles S. Miller Prize, which is given to a gifted pianist who has done outstanding work during the first year of study, was awarded to Gabriele Strata. The Elizabeth Parisot Prize, which goes to outstanding pianists in the School of Music, was awarded to Dong Won Lee and Yannick Van de Velde.

Strings

The Georgina Lucy Grosvenor Memorial Prize, which is awarded to the violist in the graduating class whose performances while at Yale have exhibited the highest potential for success as a soloist or chamber musician in the field, was given to Julia Clancy. The Aldo Parisot Prize, which is awarded to gifted cellists who show promise for a concert career, was presented to Samuel DeCaprio and Bitnalee Pong. The Broadus Erle Prize, which is given to outstanding violinists in the School of Music, went to Laura Park, Alyssa Blackstone, and Dhyani Heath.

Voice

The David L. Kasdon Memorial Prize, which is awarded to an outstanding singer in the School of Music, went to Stephen Clark. The Smriti Deb Memorial Prize, which is given to an outstanding graduating singer who best reflects and exemplifies the ideals and values of Smriti Deb and her commitment to teaching low-income and underrepresented children, was awarded to Sylvia D’Eramo. And the Phyllis Curtin Career Entry Prize, whose purpose is to assist in launching the career of a graduating voice student who demonstrates exceptional talent as an artist and promise for professional success, was awarded to Bryan Murray.

Doctor of Musical Arts

The Friedmann Thesis Prize, which is awarded to a DMA candidate whose thesis is notable for its distinguished research, original perspective, in-depth engagement with its subject, and well-crafted presentation, was presented to composer Krists Auznieks.

Left to right: Dean Robert Blocker, Deputy Dean Melvin Chen, Sophiko Simsive, Leo Sussman, Scott Leger, Liliya Ugay, Director of Admissions and Alumni Affairs Donna You, Bora Kim, Sarah Saturnino, and James Simon Lee

Left to right: Dean Robert Blocker, Deputy Dean Melvin Chen, Sophiko Simsive, Leo Sussman, Scott Leger, Liliya Ugay, Director of Admissions and Alumni Affairs Donna Yoo, Bora Kim, Sarah Saturnino, and James Simon Lee

School

The Malcolm L. Mitchell and Donald M. Roberts, Class of 1957 Prize, which is given to an outstanding graduating teaching artist in the Music in Schools Initiative, was awarded to flutist Helen Hye Jin Park. The Philip Francis Nelson Prize, which is awarded to a graduating student whose musicianship is outstanding and who demonstrates curiosity, talent, and the entrepreneurial spirit in the many dimensions of the music profession, was presented to violist Florrie Marshall. The Presser Foundation Music Award, which is awarded to an outstanding returning student to advance his or her music education, went to Shawn Hutchison. And the Yale School of Music Alumni Association Prize, which is awarded to graduating students who have not only excelled in their respective fields but have also made important contributions to the general life of the School, was presented to clarinetist Graeme Johnson, violinist Bora Kim, choral conductor James Simon Lee, hornist Scott Leger, mezzo-soprano Sarah Saturnino, pianist Sophiko Simsive, flutist Leo Sussman, and composer Liliya Ugay.

Photos by Harold Shapiro.

Published May 8, 2018
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Masaaki Suzuki honored by American Bach Society

Masaaki Suzuki. Photo by Marco Borggreve

During its biennial meeting and conference, which was held at Yale University in late April, the American Bach Society awarded Masaaki Suzuki, an artist-in-residence at the Yale Institute of Sacred Music and principal guest conductor of the Yale Schola Cantorum, an honorary membership “for his accomplishments as a performer and champion of the music of Johann Sebastian Bach,” society President Markus Rathey said.

“Masaaki Suzuki has had an impact on the performance of Baroque music not only in this country but all over the world,” Rathey, the Robert S. Tangeman Professor in the Practice of Music History at the Yale School of Music, said. “As a conductor, harpsichordist, and organist, Suzuki has been one of the most prolific performers of Bach’s music for more than two decades.”

During the conference, Suzuki led Yale alumni in a performance of Bach’s B-minor Mass.

 

Published May 7, 2018
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YSM pianists sweep prizes at Koussevitzky competition

Sun-A Park

Pianists from the Yale School of Music have won all four prizes at the Musicians Club of New York’s 2018 Serge and Olga Koussevitzky Young Artist Awards competition. Sun-A Park ’16AD’17MMA, Sophiko Simsive ’18MM, Wenting Shi ’19MMA, and Christopher Goodpasture ’18MMA earned first, second, third, and fourth prize, respectively, and Fantee Jones ’18MMA was a finalist. The Musicians Club will honor the competition winners on May 5 at its annual Joseph H. Conlin Benefit Gala.

The competition, held each spring, is open in alternating years to string players, pianists, wind and brass players, and vocalists. In addition to monetary awards, the winners of this year’s piano competition will perform recitals on the club’s 2018-2019 concert series.

Published May 3, 2018
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In Yale Opera’s “Hansel and Gretel,” the witch personifies the internet

In reimagining Humperdinck’s Hansel and Gretel for Yale Opera’s spring production, director John Giampietro found inspiration in the technology that consumes us even as we recognize the benefits of being so thoroughly connected.

In the libretto, written by the composer’s sister, Adelheid Wette, and based on the fairy tale by the Brothers Grimm, Hansel and Gretel are sent into the forest by their mother to pick strawberries, and to give her a break from their rambunctiousness. Learning this upon returning home, the children’s father expresses concern about a malevolent witch who lives in the forest, and he and his wife set out to find their children.

Giampietro wanted to ask, by way of the production, “How is this immediate to our world and our experience?” The Brooklyn, New York-based director pointed out that “in our modern-day world, we’re sort of lost as a civilization,” we’re having “our lost-in-the woods moment,” consumed by technology and asking ourselves, “What is real?”

In the Yale Opera production, the mother hooks the children up to a virtual realty game in which they enter a forest depicted by projected designs. To find and rescue their children from danger, the parents, too, have to enter a virtual reality and play the game.

Like the forest in the story, the internet, Giampietro said, “can be full of wonder. It can be full of magic. It can also be treacherous.” The witch, in Giampietro’s turn at Hansel and Gretel, is the personification of the internet’s harmfulness. The web “can consume us,” much like the witch tries to do to the children in the story of Hansel and Gretel, he said. In the Yale Opera production, Hansel and Gretel have to free themselves from the clutches of technology and return to reality.

As a society, Giampietro said, “we’re losing touch with what is real, which is human-to-human contact.” And in that regard, he said, “I think we all have the same fears and experience. I wanted to see how these morality tales or cautionary tales still apply to our world.” The irony of the internet, he pointed out, it is that while it is designed to bring us closer together, what it is really doing is creating gaps between us, leaving us starving for contact and meaningful relationships.

Yale Opera presents a fully staged production of Humperdinck’s Hansel and Gretel on May 4&5 in the intimate Morse Recital Hall.

YALE OPERA DETAILS & TICKETS

Published April 27, 2018
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Music in Schools Initiative wins Ivy Award

The Music in Schools Initiative in practice

Each year, the Yale University Seton Elm-Ivy Awards recognize outstanding members of the Yale and New Haven communities who work together to improve “town and gown” relationships. The awards were established in 1979 by Phyllis and Fenmore Seton ’38 and have since honored more than 400 individuals and organizations through Elm Awards, which are given to members of the New Haven community, and Ivy Awards, which are given to Yale faculty, staff, and students.

YSM’s Music in Schools Initiative, under the leadership of Director Rubén Rodríguez ’11MM, Associate Dean Michael Yaffe, and Yaffe’s assistant, Rachel Glodo, earned a 2018 Ivy Award for its work in the Yale and New Haven communities.

“The distinctive characteristic of the Music in Schools Initiative is its sole focus on public schools,” said School of Music Dean Robert Blocker, who nominated the Music in Schools team for an Ivy Award. “Students and teachers are and have always been at the heart of all programming for the Initiative, with mentoring and active music-making permeating every aspect of the shared experiences. The evolution of this venture, especially under the watchful eyes of Michael, Rubén, and Rachel, has been extraordinary.”

The Music in Schools Initiative was established in 2007 to explore how music can be used as a means of social change in the city of New Haven and beyond. The foundation of the Initiative is a partnership with the New Haven Public Schools in which teaching artists from the School of Music support the work of certified music-education teachers. The Initiative also includes the Morse Summer Music Academy, a biennial Symposium on Music in Schools, and a visiting professor whose work focuses on community engagement.

New Haven Mayor Toni Harp and Yale University President Peter Salovey presented the Elm-Ivy Awards on Wednesday, April 25.

LEARN ABOUT THE MUSIC IN SCHOOLS INITIATIVE

Published April 25, 2018
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Anteo Fabris ’19MM premieres “Ocean Beach Cypher” at sustainability event

Anteo Fabris

School of Music student composer Anteo Fabris ’19MM premiered his piece Ocean Beach Cypher at Yale’s 2018 State of Sustainability Breakfast. Fabris described the work as being “about loss” and said “it allows us to ponder the sounds of the beautiful ocean we are destroying.” Accompanied by projected visuals created by Fabris, Ocean Beach Cypher was performed by YSM bassists Kelvin Ng ’19MM, Amy Nickler ’19MM, and Kohei Yamaguchi ’18MM. The breakfast, held in celebration of Earth Day, honored outstanding contributions to sustainability at Yale and featured Pericles Lewis, vice president for global strategy and deputy provost for international affairs, as the keynote speaker.

The Yale Office of Sustainability’s mission is to “advance sustainability within the Yale community by acting as a catalyst for information exchange and facilitating capacity building, innovation, streamlined operations, and preparation of tomorrow’s sustainability leaders,” according to its website. Part of the outgrowth of that mission is the Yale Sustainability Plan 2025, which “demonstrates [Yale’s] commitment to building a more sustainable world.”

As part of its participation in the University’s efforts, YSM crafted a School-wide action plan centered on enhancing and improving the myriad ways in which music can intersect with sustainability. The School’s plan speaks to the greening of music materials, such as how instrument parts are made, replaced, and recycled; how music is composed, published, and distributed; and other innovations that can reduce YSM’s environmental impact.

YSM SUSTAINABILITY ACTION PLAN

Published April 24, 2018
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Two Yalies win Pulitzer Prize; finalists include professor, alumni

YaleNews

Yale professors and alumni were among the individuals honored by the 2018 Pulitzer Prize committee for their works. School of Music alumni Michael Gilbertson ’13MM ’21DMA and Ted Hearne ’08MM ’09MMA ’14DMA were named co-finalists for the music category.

Michael Gilbertson

Michael Gilbertson

Gilbertson ’13MM is a 2021 DMA candidate at the music school. “Quartet” premiered February 2, 2017 at Weill Recital Hall, Carnegie Hall, New York City. The Pulitzer judges described the work as “a masterwork in a traditional format, the string quartet, that is unconstrained by convention or musical vogues and possesses a rare capacity to stir the heart.”

Ted Hearne

Ted Hearne

The recording of Hearne’s “Sound from the Bench” was released on March 24, 2017 by The Crossing. The Pulitzer judges describe it as “a five-movement cantata for chamber choir, electric guitar and percussion that raises oblique questions about the crosscurrents of power through excerpts from sources as diverse as Supreme Court rulings and ventriloquism textbooks.”

Read on to learn more about other Yale professors and alumni who were honored by the 2018 Pulitzer Prize committee.

 

Media Contact:

Office of Public Affairs & Communications: opac@yale.edu, 203-432-1345

Published April 19, 2018
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YSM Student News | April 2018

The Bonus Quartet

Composer Krists Auznieks ’16MM ’21 DMA had his piece And Flowers Showered, an immersive concert-length work, premiered by the New York City-based ensemble Contemporaneous at National Sawdust in February.

The Bonus Quartet, an ensemble of YSM trombonists, was named a semifinalist in the Senior Winds category at the M-Prize Chamber Arts Competition at the University of Michigan School of Music, Theatre & Dance. The quartet, which includes Zachary Haas ’18MM, Grant Futch ’18MMA, Hillary Simms ’18MM, and Wil Wortley ’18MM, will compete in the finals in Ann Arbor in May.

Violinist Ariel Horowitz ’19MM was awarded second prize in the age 18-21 category at the 2018 International Arthur Grumiaux Competition for Young Violinists in Brussels, Belgium. Horowitz also received the prize for Best Interpretation of a Work by Belgian Composer.

Clarinetist Graeme Johnson ’18MMA won first prize at the Hellam Young Artists’ Competition in Springfield, Mo. Johnson was awarded a monetary prize and will perform the Mozart Clarinet Concerto with the Springfield Symphony Orchestra in January 2019.

Composer Aaron Israel Levin ’19MM had his sextet Springbokkie selected for the Society of Composers Inc.’s 2018 National Conference. It was performed at the University of Puget Sound in Tacoma, Wa., in March.

Pianist Szymon Nehring ’19AD received the International Classical Music Awards’ Outstanding Young Polish Artist award. Each year, the ICMA honors exceptional artists and recordings that are selected by an international jury of music critics.

Cellist Justin Park ’18MM won first prize at the Eastern Connecticut Symphony Orchestra’s 59th Annual Instrumental Competition. Park will be featured as a guest soloist with the orchestra in the 2018-2019 season.

Congratulations to these and all of our outstanding students.

Published April 16, 2018
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