YSM Alumni News | July 2018

Samuel Adams

Composer Samuel Adams ’10MM had a new chamber concerto premiered by violinist Karen Gomyo and the Chicago Symphony Orchestra. His Movements (for us and them) will be performed by the Australian Chamber Orchestra on tours of Australia and the United States this summer.

Guitarist Trevor Babb ’12MM ’14MMA was appointed adjunct artist in guitar at Vassar College and will begin that role in the fall.

Hornist Luke Baker ’18MM, bassoonist Matthew Gregoire ’17MM, and double bassist Kaden Henderson ’17MM ’18MMA will join The Orchestra Now at the beginning of the 2018-2019 season.

Composer, pianist, and organist Calvin Bowman ’99MMA ’05DMA was signed to Decca/Universal Music Australia, which will release a recording of his songs called Real and Right and True in July.

Sarah Boxmeyer ’16MM won the position of associate principal/third horn of the Hawaii Symphony Orchestra. Boxmeyer played with the orchestra for much of the 2017-2018 season and will begin her first full season in September.

Conductor John Concklin ’08MM received a one-year appointment as associate professor of conducting at the Blair School of Music at Vanderbilt University.

Kevin Dombrowski ’14MM won the position of second trombonist of the Illinois Symphony Orchestra and will begin playing with the orchestra in October.

Percussionist Timothy Feeney ’01MM ’02MMA ’07DMA was appointed to a full-time faculty position as a percussion artist at the Herb Alpert School of Music at California Institute of the Arts.

Timothy Gocklin ’14MM ’15AD was appointed artist-in-residence in oboe at the University of Northern Colorado.

Romie de Guise-Langlois

Romie de Guise-Langlois ’06MM ’07AD was appointed assistant professor of clarinet at the University of Massachusetts Amherst.

Violinist Ethan Hoppe ’16MM ’18MMA will join the New World Symphony for the 2018-2019 season.

Guitarist Sharon Isbin ’78BA ’79MM is serving as director of classical guitar at the Aspen Music Festival this summer, teaching, giving master classes, and performing.

Organist Paul Jacobs ’02MM AD recently joined the Philadelphia Orchestra on its tour of Europe and Israel. Jacobs’ recent solo engagements also include performances with the Chicago Symphony Orchestra and The Cleveland Orchestra.

Conductor Farkhad Khudyev ’10MM, the third prize-winner at the eighth annual Sir Georg Solti International Conducting Competition in 2017, received a 2018 Solti Foundation Career Assistance Award.

Pianist Henry Kramer ’13AD ’19DMA was named the L. Rexford Whiddon Distinguished Chair in Piano at the Joyce and Henry Schwob School of Music at Columbus State University.

Violinist Cheuk Yin Luu ’18MM won a position in the first violin section of the Buffalo Philharmonic and will begin playing with the orchestra in September.

Missy Mazzoli ’06MM was named the Chicago Symphony Orchestra’s new Mead Composer-in-Residence. Music Director Riccardo Muti appointed Mazzoli to a two-year term.

Bassoonist Marissa Olegario ’15MM was appointed assistant professor of music at the University of Arizona’s Fred Fox School of Music for the 2018-2019 academic year. Olegario will teach bassoon and perform in the Arizona Wind Quintet, a faculty ensemble.

Choral conductor Sarah Paquet ’16MM was appointed assistant director of choral activities and lecturer in music in the Smith College Music Department and will begin in the fall.

Trombonist Matthew Russo ’12MM joined the S. E. Shires Company’s artist roster.

Kate Sheeran

Hornist Kate Sheeran ’04MM was named executive director of the Kaufman Music Center, effective in August 2018. Sheeran previously served as provost and dean at the San Francisco Conservatory of Music.

James Austin Smith ’08MM joined the faculty at Stony Brook University as interim visiting artist-in-residence of oboe.

Flutist Leo Sussman ’18MM will join Ensemble Connect in September.

Guitarist An T. Tran ’16MM was awarded first prize at the University of Rhode Island’s Rising Stars Competition.

Pianist Yevgeny Yontov ’14MM ’20DMA was appointed to a one-year assistant professorship as instructor of piano in the College of Musical Arts at Bowling Green State University. Yontov will begin in mid-August and will teach piano and collaborative piano and coach chamber music.

Pianist Joon Yoon ’16MM was awarded the Guildhall School’s (London) Gold Medal, the school’s most prestigious prize for outstanding soloists.

Published July 9, 2018
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Emily Kruspe Joins Rolston String Quartet

Emily Kruspe

We spoke recently with violinist Emily Kruspe about joining YSM’s fellowship quartet-in-residence, the Rolston String Quartet, whose other three members have been working together for five years. Kruspe succeeds violinist Jeffrey Dyrda, who left the quartet to pursue new career opportunities.

“I’ve played a lot with professional ensembles, but never with a group so specialized as a quartet,” Kruspe said. “The other three have been playing together since 2013, and pretty much exclusively with each other, so they are extremely aware and good at reading each other’s body language, among many other things. The challenge for me is fitting in enough so as not to disrupt what has already been so well established, yet to have my own personality and voice in the group. In our rehearsals, there is actually a lot of discussion and demonstration. Not everything can be picked up by listening and imitation—ideas must be translated in other forms.”

Kruspe discussed the challenges of learning repertoire that the rest of the ensemble already knows. “Up until very recently, I have been playing pieces the quartet has rehearsed, been coached on, and performed,” Kruspe said. “To fit into an established interpretation of a work that has already been meticulously analyzed is difficult, but very rewarding. I am using parts of my brain I have never exercised before! What makes a lot of the challenging stuff easier is that these three musicians are among the easiest people to play with. They are very accommodating and clear, and it simplifies a lot for me.”

Kruspe also spoke about the opportunity to be mentored by the Brentano String Quartet, YSM’s quartet-in-residence. “Working with the Brentano Quartet—what can I say—I feel extremely fortunate. They are among the best quartets in the world, and are such wonderful people. I am so looking forward to working with and learning from them.”

ROLSTON STRING QUARTET

BRENTANO STRING QUARTET

Published June 21, 2018
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Yale International Choral Festival explores, connects cultures

Young People’s Chorus of New York City. Photo by Stephanie Berger

For the third year, the Yale International Choral Festival (June 12-16) will feature performances by vocal ensembles from around the world and lectures designed to add context to those programs.

Hosted by the Yale Glee Club and organized with the International Festival of Arts & Ideas, Yale School of Music, and Yale Alumni Chorus, the Choral Festival will welcome to New Haven ensemble cantissimo, a group of German and Swiss vocalists; the Muslim Choral Ensemble, a Sri Lankan group that was established in 2017; the Young People’s Chorus of New York City; Staccato, a group from the National Autonomous University of Mexico; the Yale Choral Artists; and the Yale Alumni Chorus.

Jeffrey Douma, director of the Yale Glee Club, founding director of the Yale Choral Artists, and artistic director of the Choral Festival, had tried to bring the Tehran Vocal Ensemble to New Haven but could not make that work. Still, members of that group will participate via live stream in Nahid Siamdoust’s June 14 lecture “Islam & Music: The Case of Iran,” which is informed by Siamdoust’s book Soundtrack of the Revolution: The Politics of Music in Iran. Siamdoust is a postdoctoral associate in the Yale Program in Iranian Studies at the MacMillan Center for International and Area Studies. While the Tehran Vocal Ensemble, Douma said, is largely a secular choir, the nascent Muslim Choral Ensemble is “the first ensemble devoted exclusively to Muslim choral music in South Asia, if not in the world.”

The Young People’s Chorus of New York City is no newcomer to the choral scene. Established 30 years ago with a mission “to provide children of all cultural and economic backgrounds with a unique program of music education and choral performance that seeks to fulfill each child’s potential,” the ensemble will perform the premiere of Paola Prestini’s The Glass Box alongside the Yale Choral Artists. In doing so, members of the Young People’s Chorus will sing about peers in terrible circumstances.

Prestini’s The Glass Box was inspired by Rachel Aviv’s April 2017 New Yorker piece “The Trauma of Facing Deportation” and the “resignation syndrome” described therein that has afflicted refugees in Sweden. The performance will include projections by Kevork Mourad, a New York-based Syrian artist of Armenian heritage. The Young People’s Chorus-Yale Choral Artists performance will be repeated in New York City on a program that will also include YSM faculty composer David Lang’s the national anthems, a piece that points to the violent themes that mark most national anthems.

The Choral Festival fits perfectly into the Arts & Ideas Festival, presenting compelling performances and talks aimed at connecting local audiences to the wider world through the human voice. “It is our hope,” language on the Choral Festival website reads,” that this year’s festival will be a concrete and vital demonstration of the ways in which the arts in general and choral singing in particular can help create understanding between people in a world that too often feels increasingly divided.”

YALE INTERNATIONAL CHORAL FESTIVAL

INTERNATIONAL FESTIVAL OF ARTS & IDEAS

Published June 7, 2018
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YSM Student News | June 2018

Ji Su Jung

NeoArctic, a large-scale multimedia work by composer Krists Auznieks ’16MM ’22DMA, was staged at the Southbank Center in London, in May.

Composers Ethan Braun ’21DMA and Liliya Ugay ’16MM ’22DMA have been named 2018 CULTIVATE fellows and are currently participating in the emerging composers institute at Copland House, in Cortlandt Manor, NY.

Tubist Jake Fewx ’18MM ’19MMA will compete in August as a semifinalist in the Leonard Falcone International Euphonium and Tuba Festival competition, in Twin Lake, Mich.

Percussionist Ji Su Jung ’19MM won the Houston Symphony’s Ima Hogg Competition in early June. In addition to receiving the Grace Woodson Memorial Award, which comes with a $25,000 cash prize, Jung took home the Herman Shoss Audience Choice Award. As the winner of the competition, Jung will perform in July as a soloist with the Houston Symphony.

Flutist Benjamin Morency ’18MM won the Boston Woodwind Society’s Doriot Anthony Dwyer Merit Award Competition in April.

The New York Times described composer Peter S. Shin ’20MMA as “a composer to watch” in “The Week in Classical Music,” which includes a review of the premiere of his orchestral piece Slant.

Violist Marlea Simpson’19MM has earned a tenured position in the Grant Park Orchestra, in Chicago, Ill.

Published June 6, 2018
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Willie Ruff awarded honorary doctorate

Willie Ruff receives an honorary doctorate from University President Salovey. Photo by Michael Marsland

As part of Yale’s 317th Commencement, which took place on May 21, the University awarded honorary degrees to “10 individuals who have received distinction in their respective fields.” Among the recipients was Willie Ruff ’53BM ’54MM, who retired in May 2017 having spent 46 years on the School of Music faculty.

Presenting Ruff with an honorary doctor of music degree, University President Peter Salovey said, “You have shared the wonders of music with the world. Introducing new audiences to the transcendent power of jazz; you discovered the echoes of distant times and faraway places in this quintessential American art form. In your ‘conservatory without walls,’ generations of young people have been inspired by jazz legends. Scholar, storyteller, and musician, in gratitude for your creativity and charisma, we are privileged to present your third Yale degree, Doctor of Music.”

The “conservatory without walls” to which Salovey referred is the “‘invisible institution’ through which African American music has been nurtured and developed over time,” explained Lucile Bruce in the Spring 2017 issue of Music at Yale. In 1972, a year after joining the faculty at his alma mater, Ruff brought 40 jazz legends to Yale — among them Duke Ellington, Marian Anderson, Dizzy Gillespie, and Charles Mingus — and launched the Duke Ellington Fellowship and the Ellington Jazz Series.

Throughout his extraordinary career, Ruff has introduced audiences around the world to jazz. With pianist Dwike Mitchell, Ruff — a horn and bass player — brought the art form to the Soviet Union in 1959 and to China in 1981.

Ruff’s scholarship has yielded remarkable insight into musical connections, and his eagerness to share his experiences and knowledge has enlightened many. His 1991 memoir, A Call to Assembly: The Autobiography of a Musical Storyteller, earned him an ASCAP Deems Taylor Award for Music Writing.

At the School of Music’s 2017 Honors Banquet, Ruff was given Yale University’s Nathan Hale Award. “He’s changed all our lives,” YSM Dean Robert Blocker said.

Ruff came to the Yale School of Music to study with Paul Hindemith — because he had read that Charlie Parker would have done the same. More than half century later, the School and the University continue to recognize and appreciate his remarkable legacy.

READ THE MUSIC AT YALE FEATURE
WATCH A VIDEO ABOUT WILLIE RUFF

Published May 23, 2018
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YSM Alumni News | May 2018

Pianist Tanya Bannister CERT was named president of the Concert Artists Guild. She succeeds Richard S. Weinert, who plans to retire in June after 18 years at the organization.

Violinist Qi Cao ’10MM won a position with the North Carolina Symphony Orchestra and will join the ensemble in September 2018. Cao has been a member of the Louisiana Philharmonic Orchestra for five years.

The Jasper String Quartet. Photo by Dario Acosta

The Jasper String Quartet, which includes violinists John Freivogel ’10AD and Sae Chonabayashi, violist Sam Quintal ’10AD, and cellist Rachel Henderson Freivogel ’10AD, had their album Unbound named one of The New York Times’ “Top 25 Classical Albums of 2017.” The recording includes works by YSM alumni Judd Greenstein ’04MM, Caroline Shaw ’07MM, Missy Mazzoli ’06MM, Ted Hearne ’08MM ’09MMA ’14DMA, and David Lang ’83MMA ’89DMA and was released on the Sono Luminus and New Amsterdam labels.

Composers Michael Gilbertson ’13MM ’21DMA and Ted Hearne ’08MM ’09MMA ’14DMA were named co-finalists for the 2018 Pulitzer Prize in Music. Gilbertson was nominated for his work Quartet, which was commissioned by the Verona Quartet, Concert Artists Guild, and BMI Foundation, and Hearne was nominated for his work Sound from the Bench, which was commissioned by Volti and The Crossing.

Darren Hicks

Darren Hicks ’14MM was appointed associate principal bassoonist of the Toronto Symphony Orchestra. Hicks has been a fellow at the New World Symphony, in Miami Beach, Fla., for the past three years.

Alumna Molly Joyce ’17MM and incoming students Alexis C. Lamb ’20MM and Peter Shin ’20MMA received ASCAP (the American Society of Composers, Authors, and Publishers) Foundation Morton Gould Young Composer Awards.

Violinist Dennis Kim ’98MM was named concertmaster of the Pacific Symphony in Orange County, Calif. Kim has served as concertmaster of the Buffalo Philharmonic Orchestra since 2015.

Composers Yoshiaki Onishi ’07MM ’08AD and Carl Schimmel ’99MM were awarded Guggenheim Fellowships for music composition.

Two alumni received awards from the Richard Tucker Music Foundation. Bass-baritone Christian Van Horn ’02MM ’03AD received the Richard Tucker Award, and bass David Leigh ’14MM received a Sara Tucker Study Grant.

Published May 9, 2018
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Prizes awarded at annual Honors Banquet

Dean Robert Blocker

On Sunday, May 6, YSM Dean Robert Blocker told graduating students that he looks forward to hearing their music in venues around the world. The occasion was the School’s annual Honors Banquet, which was held this year at the Omni New Haven Hotel at Yale. Attendees included students and alumni, faculty and staff, YSM board members Mary Beth Buck, Walter Buck, and Stephanie Yu Lim, and emeritus staff and faculty members Rosemary Gould, Gene Kimball, Judy Long, and Mary-Jo Warren. Aimlee Laderman, whose late husband Ezra Laderman was a longtime member of the School’s composition faculty and from 1989 to 1995 served as Dean, was also in attendance.

Blocker announced that the Ian Mininberg Distinguished Service Award would be presented at Commencement, as this year’s recipient, composer Lori Laitman ’76MM, was unable to attend the Honors Banquet, at which the award is traditionally conferred. Blocker congratulated students who won or placed at competitions this year and acknowledged YSM’s Music in Schools Initiative, whose leadership — Director Rubén Rodríguez ’11MM, Associate Dean Michael Yaffe, and Yaffe’s assistant, Rachel Glodo — was recognized by the University in April with an Ivy Award for the work the program does at Yale and in the New Haven community. “Yale has no finer community engagement program than Music in Schools,” Blocker said.

At the end of the night, Blocker expressed his gratitude to students, faculty, and staff for a wonderful year. “As one who at different moments has been touched by your talent and compassion,” he said, “I want to thank you on behalf of a wider audience.”


The following student prizes were presented during the Honors Banquet.

Brass and Woodwinds

The Thomas Daniel Nyfenger Memorial Prize, which is awarded to a graduating student who has demonstrated the highest standard of excellence in woodwind playing, was presented to oboist Lauren Williams. The John Swallow Prize, which is given to an outstanding brass player whose artistry and dedication have contributed to the department, was awarded to trombonist Zachary Haas.

Left to right: Dean Robert Blocker, Director of Choral Conducting Marguerite Brooks, Joseph Kemper, and Professor of Choral Conducting Jeffrey Douma

Left to right: Dean Robert Blocker, Director of Choral Conducting Marguerite Brooks, Joseph Kemper, and Professor of Choral Conducting Jeffrey Douma

Choral Conducting

The inaugural Robert Shaw Prize, given in honor of the renowned American choral conductor and awarded to a choral conducting major in the School of Music chosen by the choral conducting faculty for distinguished achievement, was presented to Joseph Kemper.

Composition

The Woods Chandler Memorial Prize for the best composition in a larger form written during the year was awarded to Krists Auznieks. The Rena Greenwald Memorial Prize for the best piano composition written during the year went to Alishan Gezgin. The John Day Jackson Prize for outstanding chamber music compositions written for strings with or without other instruments was presented to Fjóla Evans. The Frances E. Osborne Kellogg Memorial Prize for the best composition written in a contrapuntal style was given to Liliya Ugay. And the Ezra Laderman Prize for the best compositions written for musical theater or voice was awarded to Sophie Cash-Goldwasser and Eli Greenhoe.

Dean Robert Blocker, Sophie Cash-Goldwasser, Eli Greenhoe, and Professor of Composition Martin Bresnick

Left to right: Dean Robert Blocker, Sophie Cash-Goldwasser, Eli Greenhoe, and Professor of Composition Martin Bresnick

Guitar

The Eliot Fisk Prize, which is given to an outstanding guitarist whose artistic achievement and dedication have contributed greatly to the department, was awarded to Gunnlaugur Björnsson.

Organ

The Charles Ives Prize, which is awarded to an outstanding organ major, went to Diana Chou. The Julia R. Sherman Memorial Prize for excellence in organ playing was awarded to Matthew Daley.

Piano

The Charles S. Miller Prize, which is given to a gifted pianist who has done outstanding work during the first year of study, was awarded to Gabriele Strata. The Elizabeth Parisot Prize, which goes to outstanding pianists in the School of Music, was awarded to Dong Won Lee and Yannick Van de Velde.

Strings

The Georgina Lucy Grosvenor Memorial Prize, which is awarded to the violist in the graduating class whose performances while at Yale have exhibited the highest potential for success as a soloist or chamber musician in the field, was given to Julia Clancy. The Aldo Parisot Prize, which is awarded to gifted cellists who show promise for a concert career, was presented to Samuel DeCaprio and Bitnalee Pong. The Broadus Erle Prize, which is given to outstanding violinists in the School of Music, went to Laura Park, Alyssa Blackstone, and Dhyani Heath.

Voice

The David L. Kasdon Memorial Prize, which is awarded to an outstanding singer in the School of Music, went to Stephen Clark. The Smriti Deb Memorial Prize, which is given to an outstanding graduating singer who best reflects and exemplifies the ideals and values of Smriti Deb and her commitment to teaching low-income and underrepresented children, was awarded to Sylvia D’Eramo. And the Phyllis Curtin Career Entry Prize, whose purpose is to assist in launching the career of a graduating voice student who demonstrates exceptional talent as an artist and promise for professional success, was awarded to Bryan Murray.

Doctor of Musical Arts

The Friedmann Thesis Prize, which is awarded to a DMA candidate whose thesis is notable for its distinguished research, original perspective, in-depth engagement with its subject, and well-crafted presentation, was presented to composer Krists Auznieks.

Left to right: Dean Robert Blocker, Deputy Dean Melvin Chen, Sophiko Simsive, Leo Sussman, Scott Leger, Liliya Ugay, Director of Admissions and Alumni Affairs Donna You, Bora Kim, Sarah Saturnino, and James Simon Lee

Left to right: Dean Robert Blocker, Deputy Dean Melvin Chen, Sophiko Simsive, Leo Sussman, Scott Leger, Liliya Ugay, Director of Admissions and Alumni Affairs Donna Yoo, Bora Kim, Sarah Saturnino, and James Simon Lee

School

The Malcolm L. Mitchell and Donald M. Roberts, Class of 1957 Prize, which is given to an outstanding graduating teaching artist in the Music in Schools Initiative, was awarded to flutist Helen Hye Jin Park. The Philip Francis Nelson Prize, which is awarded to a graduating student whose musicianship is outstanding and who demonstrates curiosity, talent, and the entrepreneurial spirit in the many dimensions of the music profession, was presented to violist Florrie Marshall. The Presser Foundation Music Award, which is awarded to an outstanding returning student to advance his or her music education, went to Shawn Hutchison. And the Yale School of Music Alumni Association Prize, which is awarded to graduating students who have not only excelled in their respective fields but have also made important contributions to the general life of the School, was presented to clarinetist Graeme Johnson, violinist Bora Kim, choral conductor James Simon Lee, hornist Scott Leger, mezzo-soprano Sarah Saturnino, pianist Sophiko Simsive, flutist Leo Sussman, and composer Liliya Ugay.

Photos by Harold Shapiro.

Published May 8, 2018
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Masaaki Suzuki honored by American Bach Society

Masaaki Suzuki. Photo by Marco Borggreve

During its biennial meeting and conference, which was held at Yale University in late April, the American Bach Society awarded Masaaki Suzuki, an artist-in-residence at the Yale Institute of Sacred Music and principal guest conductor of the Yale Schola Cantorum, an honorary membership “for his accomplishments as a performer and champion of the music of Johann Sebastian Bach,” society President Markus Rathey said.

“Masaaki Suzuki has had an impact on the performance of Baroque music not only in this country but all over the world,” Rathey, the Robert S. Tangeman Professor in the Practice of Music History at the Yale School of Music, said. “As a conductor, harpsichordist, and organist, Suzuki has been one of the most prolific performers of Bach’s music for more than two decades.”

During the conference, Suzuki led Yale alumni in a performance of Bach’s B-minor Mass.

 

Published May 7, 2018
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YSM pianists sweep prizes at Koussevitzky competition

Sun-A Park

Pianists from the Yale School of Music have won all four prizes at the Musicians Club of New York’s 2018 Serge and Olga Koussevitzky Young Artist Awards competition. Sun-A Park ’16AD’17MMA, Sophiko Simsive ’18MM, Wenting Shi ’19MMA, and Christopher Goodpasture ’18MMA earned first, second, third, and fourth prize, respectively, and Fantee Jones ’18MMA was a finalist. The Musicians Club will honor the competition winners on May 5 at its annual Joseph H. Conlin Benefit Gala.

The competition, held each spring, is open in alternating years to string players, pianists, wind and brass players, and vocalists. In addition to monetary awards, the winners of this year’s piano competition will perform recitals on the club’s 2018-2019 concert series.

Published May 3, 2018
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In Yale Opera’s “Hansel and Gretel,” the witch personifies the internet

In reimagining Humperdinck’s Hansel and Gretel for Yale Opera’s spring production, director John Giampietro found inspiration in the technology that consumes us even as we recognize the benefits of being so thoroughly connected.

In the libretto, written by the composer’s sister, Adelheid Wette, and based on the fairy tale by the Brothers Grimm, Hansel and Gretel are sent into the forest by their mother to pick strawberries, and to give her a break from their rambunctiousness. Learning this upon returning home, the children’s father expresses concern about a malevolent witch who lives in the forest, and he and his wife set out to find their children.

Giampietro wanted to ask, by way of the production, “How is this immediate to our world and our experience?” The Brooklyn, New York-based director pointed out that “in our modern-day world, we’re sort of lost as a civilization,” we’re having “our lost-in-the woods moment,” consumed by technology and asking ourselves, “What is real?”

In the Yale Opera production, the mother hooks the children up to a virtual realty game in which they enter a forest depicted by projected designs. To find and rescue their children from danger, the parents, too, have to enter a virtual reality and play the game.

Like the forest in the story, the internet, Giampietro said, “can be full of wonder. It can be full of magic. It can also be treacherous.” The witch, in Giampietro’s turn at Hansel and Gretel, is the personification of the internet’s harmfulness. The web “can consume us,” much like the witch tries to do to the children in the story of Hansel and Gretel, he said. In the Yale Opera production, Hansel and Gretel have to free themselves from the clutches of technology and return to reality.

As a society, Giampietro said, “we’re losing touch with what is real, which is human-to-human contact.” And in that regard, he said, “I think we all have the same fears and experience. I wanted to see how these morality tales or cautionary tales still apply to our world.” The irony of the internet, he pointed out, it is that while it is designed to bring us closer together, what it is really doing is creating gaps between us, leaving us starving for contact and meaningful relationships.

Yale Opera presents a fully staged production of Humperdinck’s Hansel and Gretel on May 4&5 in the intimate Morse Recital Hall.

YALE OPERA DETAILS & TICKETS

Published April 27, 2018
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