[ in the press ]
Boston Globe | By David Weininger
May 15, 2015
Jacques Wood’s eureka moment came when he was a graduate student at Yale. Having completed the academic portion of his doctoral studies in cello performance, Wood in 2010 began an immersion in early music practice with Robert Mealy, one of the country’s prominent historical-string players. For many musicians trained on modern instruments, the first serious encounter with instruments of the past can be such a bombshell that they end up pursuing early music with a convert’s zeal.
For Wood, the experience brought a different insight no less revelatory. “My initial reaction was that playing early music for the first time felt a lot like playing new music for the first time,” he said in a recent conversation at a Harvard Square cafe. “It’s the same feeling, where there’s no tradition attached to it. You’re looking at it for the first time.” MORE