Convocation 2017 defines YSM as place for “Music Among Friends”

School of Music Dean Robert Blocker often describes music as “the currency of hope” and has long championed the School’s commitment to inclusivity and diversity. That commitment was reiterated emphatically on Thursday night in his 2017 Convocation speech, “Music Among Friends,” in which he celebrated “courage, inclusivity and diversity, connectedness, tolerance and respect, and compassion.” Upon its founding, he said, “the School of Music opened wide its doors and heart to all those who brought their gifts of talent and intellectual curiosity to campus.” Today, Blocker pointed out, the School stands in solidarity with those whose place in our community hangs in the balance.

“All of us bring anxieties, concerns, and even fears about the human condition to this room tonight,” he told new and returning students, faculty, staff, alumni, and guests, “for we live in a time in which human dignity and indeed humanity are being assaulted throughout the world. Nothing, I think, is as incomprehensible and unimaginable as the vengeful rescindment of the Deferred Action for Childhood Arrivals policy, known as DACA. Now, these young people we call Dreamers live with fear rather than hope. This action touches our community profoundly because we are witnesses to the deep grief and stressful uncertainty these Dreamers and their families suddenly face. I do believe reasonable and compassionate leaders among us hear and feel the anguished cries of Dreamers and that they, with our encouragement and support, will find a way to keep their American dream alive.”

Connecting YSM’s values to its mission, Blocker said, “music teaches us that every voice is distinct and important, that each is necessary for harmony, and that is precisely why we know that our combined voices will help repair our troubled world.”

Following University Provost Benjamin Polak’s installation of the incoming class, whose members come from five continents, 25 countries, 26 states, and 58 institutions, Convocation attendees sang Schubert’s An die Musik (with Franz von Schober’s text, as translated by YSM faculty bass-baritone Richard Cross), as is School tradition. Blocker then delivered his remarks before introducing the faculty, alumni, and current students who performed as part of the ceremony.

Violinist Daniel S. Lee ’06MM ’08AD, a newly appointed faculty member in early music whose ensemble, The Sebastians, is in residence at the Yale Collection of Musical Instruments, performed Heinrich Ignaz Franz von Biber’s Sonata No. 3 in F major, C. 140 (from Sonatae, violino solo) with faculty harpsichordist Arthur Haas. Bass-baritone Dashon Burton ’11MM sang “Grosser Herr, o starker König,” from Bach’s Christmas Oratorio, BWV 248, and “Mache dich, mein Herze rein,” from the St. Matthew Passion, BWV 244, with pianist David Fung ’11MM ’13MMA ’17DMA. And violinist Sirena Huang ’19AD performed Tchaikovsky’s Valse-Scherzo, Op. 34, with pianist Lam Wong ’18MM.

The performances added punctuation to Blocker’s remarks, which concluded with him telling members of the incoming class that “here at YSM, you will experience fully the gift that is ‘Music Among Friends,’ and encouraging all in attendance, referencing a favorite story about Robert Louis Stevenson, to “take hope, and make holes in the dark with the beauty and light of your music.”

Photos by Harold Shapiro

Published September 8, 2017
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YSM welcomes two artist diploma candidates to prestigious program

Sirena Huang, left, and Szymon Nehring

In the fall, the Yale School of Music will welcome two new artist diploma candidates to the program. Violinist Sirena Huang, who is currently enrolled in YSM’s master of music program, will now pursue an artist diploma. Pianist Szymon Nehring will enter the AD program having previously studied at the Academy of Music in Bydgoszcz, Poland. Huang and Nehring will join pianist Vyacheslav Gryaznov in the program, whose curriculum was revised in 2014 to serve instrumentalists and vocalists who are on the cusp of major international solo careers.

“The artist diploma is our highest performance degree,” YSM Deputy Dean Melvin Chen said. “The two entering the program in the fall exemplify the type of artist diploma candidate we are looking for — bright, inquisitive, and unique artists who are gaining recognition through top prizes in major international competitions.”

Huang, who studies with Hyo Kang, recently won the New York Concert Artists Worldwide Debut Audition for Violinists and the inaugural Elmar Oliveira International Violin Competition. Earlier this month, Nehring won the 15th Arthur Rubinstein International Piano Master Competition. He will study with Boris Berman at YSM. MORE

Published May 17, 2017
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Szymon Nehring wins Arthur Rubinstein International Piano Master Competition

Szymon Nehring. Photo by Piotr Markowski

Incoming YSM artist diploma candidate Szymon Nehring was named the first prize-winner of the 15th Arthur Rubinstein International Piano Master Competition in Tel Aviv, Israel. In addition to winning the Arthur Rubinstein Award (Gold Medal), Nehring won the Best Performer of a Chopin Piece, Advanced Studies, and Junior Jury prizes, as well as the Audience Favorite in the Periphery prizes for Or Yehuda and Jezrael Valley. In addition to earning $49,000 in cash awards, Nehring will perform numerous recitals as part of a concert tour organized by the Arthur Rubinstein International Music Society, which administers the competition. One of those performances, on October 26, will take place in Weill Recital Hall at Carnegie Hall. MORE

Published May 16, 2017
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Inside YSM: Vyacheslav Gryaznov ’18AD, piano

Vyacheslav Gryaznov ’18 AD

On Friday, February 24, 2017, pianist Vyacheslav Gryaznov ’18AD performed Shostakovich Piano Concerto No. 1 with conducting fellow David Yi and the Yale Philharmonia. Asked about his approach to playing Shostakovich’s music, Slava said, “I love music by Shostakovich — his symphonies, ‘Lady Macbeth of Mtsensk,’ his ballets, chamber music, experimental opuses like the ‘Aphorisms’ … A lot of his pieces contain not only powerful feelings but also encrypted messages. It was the only possible way to express what he really thought. He lived in a Soviet era when a lot of people felt imprisoned, both in a moral and often in the real physical sense. Shostakovich was under a pressure which we cannot imagine. It is often understood as a restriction on his artistic freedom. But in fact this pressure, among other factors, created his unique musical individuality: this combination of being wildly against the system with a lot of extremes, but with such a huge humanity, real passion, and tenderness at the same time.”

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Published March 24, 2017
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[ announcements ]

Pamela Frank, Jonathan Mills, and Charles Neidich visit YSM

Jonathan Mills | Photo by Seamus McGarvey

Jonathan Mills | Photo by Seamus McGarvey

The Yale School of Music’s revised Artist Diploma program is designed for a highly select number of young instrumentalists and singers who have demonstrable potential for a major concert career. No more than three students will be admitted to the AD each year. Admission to this program requires two campus auditions. The first round of auditions is heard by YSM artist faculty; the final round will be adjudicated by an external committee.

The final round of auditions will take place on Saturday, February 27, 2016 in Morse Recital Hall. This year, the three guest judges are Pamela Frank, Jonathan Mills, and Charles Neidich. MORE

Published February 24, 2016
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[ concerts ]

Pianist Wai-Yin Wong presents music by Brahms, Haydn, and Schumann Feb. 3

Wai Yin WongPianist Wai-Yin Wong, a student in the Yale School of Music’s recently revised and highly selective Artist Diploma program, will give her degree recital on Wednesday, February 3 at 7:30 pm. Wong’s program features three major works for piano from Brahms, Haydn, and Schumann.

The recital begins with Haydn‘s elegant three-movement Sonata in C major, Hob. XVI:50, originally written for and dedicated to Therese Jansen Bartolozzi in 1794. The program continues with one of Brahms‘s best-loved and most popular late piano pieces, the Three Intermezzi, Op. 117. MORE

Published January 28, 2016
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[ announcements ]

Yale School of Music announces newly revised Master of Musical Arts, Artist Diploma

The Yale School of Music is pleased to announce important revisions to two of its degree programs. These revisions allow students to further develop their musicianship and artistry in a profound and unique way, leveraging both the teaching of the distinguished artist-faculty of the School of Music and the unparalleled resources of Yale University.

Last year, the School of Music launched its revised Doctor of Musical Arts degree, its highest academic credential. The launch of these two performance-focused programs complements that of the new DMA. The new Master of Musical Arts degree and Artist Diploma programs are now accepting applications for the 2015–2016 academic year.

“The new programs will nurture young artists of the highest caliber who reflect Yale’s values of cultural leadership and service. These programs will continue, sustain and enhance the rich legacy of musical excellence that has characterized Yale for over three centuries,” said Robert Blocker, Dean of the Yale School of Music. MORE

Published November 7, 2014
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