Convocation 2017 defines YSM as place for “Music Among Friends”

School of Music Dean Robert Blocker often describes music as “the currency of hope” and has long championed the School’s commitment to inclusivity and diversity. That commitment was reiterated emphatically on Thursday night in his 2017 Convocation speech, “Music Among Friends,” in which he celebrated “courage, inclusivity and diversity, connectedness, tolerance and respect, and compassion.” Upon its founding, he said, “the School of Music opened wide its doors and heart to all those who brought their gifts of talent and intellectual curiosity to campus.” Today, Blocker pointed out, the School stands in solidarity with those whose place in our community hangs in the balance.

“All of us bring anxieties, concerns, and even fears about the human condition to this room tonight,” he told new and returning students, faculty, staff, alumni, and guests, “for we live in a time in which human dignity and indeed humanity are being assaulted throughout the world. Nothing, I think, is as incomprehensible and unimaginable as the vengeful rescindment of the Deferred Action for Childhood Arrivals policy, known as DACA. Now, these young people we call Dreamers live with fear rather than hope. This action touches our community profoundly because we are witnesses to the deep grief and stressful uncertainty these Dreamers and their families suddenly face. I do believe reasonable and compassionate leaders among us hear and feel the anguished cries of Dreamers and that they, with our encouragement and support, will find a way to keep their American dream alive.”

Connecting YSM’s values to its mission, Blocker said, “music teaches us that every voice is distinct and important, that each is necessary for harmony, and that is precisely why we know that our combined voices will help repair our troubled world.”

Following University Provost Benjamin Polak’s installation of the incoming class, whose members come from five continents, 25 countries, 26 states, and 58 institutions, Convocation attendees sang Schubert’s An die Musik (with Franz von Schober’s text, as translated by YSM faculty bass-baritone Richard Cross), as is School tradition. Blocker then delivered his remarks before introducing the faculty, alumni, and current students who performed as part of the ceremony.

Violinist Daniel S. Lee ’06MM ’08AD, a newly appointed faculty member in early music whose ensemble, The Sebastians, is in residence at the Yale Collection of Musical Instruments, performed Heinrich Ignaz Franz von Biber’s Sonata No. 3 in F major, C. 140 (from Sonatae, violino solo) with faculty harpsichordist Arthur Haas. Bass-baritone Dashon Burton ’11MM sang “Grosser Herr, o starker König,” from Bach’s Christmas Oratorio, BWV 248, and “Mache dich, mein Herze rein,” from the St. Matthew Passion, BWV 244, with pianist David Fung ’11MM ’13MMA ’17DMA. And violinist Sirena Huang ’19AD performed Tchaikovsky’s Valse-Scherzo, Op. 34, with pianist Lam Wong ’18MM.

The performances added punctuation to Blocker’s remarks, which concluded with him telling members of the incoming class that “here at YSM, you will experience fully the gift that is ‘Music Among Friends,’ and encouraging all in attendance, referencing a favorite story about Robert Louis Stevenson, to “take hope, and make holes in the dark with the beauty and light of your music.”

Photos by Harold Shapiro

Published September 8, 2017
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Paweł Konik reaches finals of “Le Grand Prix de l’Opéra”

Paweł Konik | Photo by Anna Płóciennik

Paweł Konik | Photo by Anna Płóciennik

Earlier this month, bass-baritone Paweł Konik reached the final round of “Le Grand Prix de l’Opéra,” the International Voice Competition organized by the Bucharest National Opera. Konik earned a special Excellency Prize, presented by the Russian Embassy, for his interpretation of “Aleko’s Cavatina” from Rachmaninoff’s Aleko. He also performed “Vedro mentr’io sospiro” from Mozart’s Le nozze di Figaro and “O du mein holder Abendstern” from Wagner’s Tannhäuser.

Konik, a native of Poland, is a member of the Yale Opera program, where he studies with Doris Yarick-Cross and Richard Cross. Konik also worked on his competition repertoire with YSM faculty members Douglas Dickson, Timothy Shaindlin, and Kyle Swann. During the 2015-2016 concert season, Konik appeared in Yale Opera productions of Britten’s A Midsummer Night’s Dream and Massenet’s Don Quichotte. Prior to coming to Yale, Konik attended the Karol Szymanowski Academy of Music in Katowice. MORE

Published August 24, 2016
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[ in the press ]

Arts Journal: Opera at Old Eli

Photo by Matt Fried

Photo by Matt Fried

Opera Sleth | Arts Journal
By Speight Jenkins

Doris Yarick Cross for more than thirty years has directed Yale Opera, a division of the Yale School of Music. She and her husband, Richard Cross, serve as the voice teachers for the program, a mammoth task. Such major artists as Matthew Polenzani, Patrick Carfizzi, Tamara Mumford, and Christian Van Horn have graduated from the program, which in every school year has fifteen artists, chosen from hundreds of applicants.  All of the singers in this “class” are working on their Master of Music degrees.

Three days in New Haven demonstrated to me the viability of the program,  allowed me to experience two performances of opera scenes, and have several hours with all the young artists involved. Though the majority of artists, all in their twenties, come from the United States, recruitment is international.  Young singers from Poland, China, Italy, and Canada joined their American colleagues. The two evenings of opera scenes at Yale’s Sprague Hall, fully staged and costumed, surveyed the repertory from Handel to Britten.

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Published November 18, 2015
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