Yale Brass Trio performs music from the Renaissance to Rachmaninoff

Nov. 1 concert also features pianist Mihae Lee and composer Ezra Laderman

The Yale School of Music presents the Yale Brass Trio in a Faculty Artist Series concert on Tuesday, November 1. The trio brings together three Yale School of Music faculty members who have all established high-profile careers of their own: Allan Dean, trumpet; William Purvis, French horn; and Scott Hartman, trombone.

For this performance, which explores music from the Renaissance to today, they will be joined by pianist Mihae Lee.

The concert will begin with early English music and works by the French Renaissance composer Guillaume Dufay. Ezra Laderman’s Trio for Brass, written in 2005, will offer a 21st-century contrast. Laderman, a faculty colleague of the performers, is a former dean of the School of Music, the president of the American Academy of Arts and Letters, and a composer who has won three Guggenheim Fellowships, the Prix de Rome, and Rockefeller and Ford Foundation grants.

Fans of the Romantic period will enjoy Rachmaninoff’s Elegy for trombone and piano and Schumann’s Fantasy Pieces for horn and piano. The concert will conclude with tangos by Astor Piazzolla, which – along with the early Renaissance pieces – were transcribed for brass trio by Allan Dean.

The concert begins at 8 pm in Morse Recital Hall, located in Sprague Hall at 470 College Street (corner of Wall Street). Admission is free. MORE

Published October 18, 2011
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Wendy Sharp performs music of Beethoven, Bielawa, and more

Nov. 6 concert also features pianist Joel Wizansky

The Yale School of Music’s Faculty Artist Series presents Wendy Sharp, violin, and Joel Wizansky, piano in concert on Sunday, November 6th at 4 pm. The program brings together music related to words in various ways, from a suite based on Shakespeare to a piece incorporating narration.

The concert opens with the brief Scherzo by Johannes Brahms based on a motive of the pitches F, A, and E. Next comes a suite of incidental music for Shakespeare’s “Much Ado About Nothing.” The suite is an early work by Erich Korngold, who went on to become a leading composers of film music.

The first half closes with a piece by 2009 Prix de Rome recipient and Yale alumna Lisa Bielawa. Her “Meditations” for solo violin are drawn from her larger work, “The Lay of Love and Death,” whose name and texts come from Rainer Maria Rilke’s epic poem contemplating the loss of innocence. The composer will recite Rilke’s poetry between the movements for solo violin.

The second half of the program features Beethoven’s virtuosic and passionate “Kreutzer” Sonata in A major, Op. 47. This sonata is considered, along with the Third Symphony, to demonstrate the beginnings of Beethoven’s revolutionary turn to the Romantic. Among the many artists who have been inspired by this sonata is Leo Tolstoy, whose novella The Kreutzer Sonata in turn inspired a painting, a play, and several film adaptations.

Admission to the performance is free. For more information, visit music.yale.edu or contact the Yale School of Music concert office at 203 432-4158.

ABOUT THE PERFORMERS

Wendy Sharp, award-winning violinist, performs frequently as a recitalist and a chamber musician. In demand as a teacher and chamber music coach, she is on the faculties of the Yale School of Music and California Summer Music, and maintains a private studio.  For nearly a decade, Ms. Sharp was the first violinist and a founding member of the Franciscan String Quartet. As a member of the quartet she toured the USA, Canada, Europe, and Asia, and was honored with many awards including first prize in the Banff International String Quartet Competition and the Press and City of Evian prizes at the Evian International String Quartet Competition. A native of the San Francisco Bay area, she attended Yale University, graduating summa cum laude with distinction in music, and received her Master of Music degree from the San Francisco Conservatory of Music. Ms. Sharp has served on the faculties of the Mannes College of Music, Dartmouth College, the San Francisco Conservatory of Music, and Choate Rosemary Hall, and has participated in the Aspen, Tanglewood, Chamber Music West, Norfolk, Britten-Pears, and Music Academy of the West festivals. Ms. Sharp is currently the director of chamber music at the Yale School of Music, where she has also served on the violin faculty since 1997.

Joel Wizansky is acclaimed by audiences and musicians alike for his combination of fiery intensity and probing musicianship. The Washington Post wrote of his “emotional and rich performance, sparkling runs, beautiful phrasing, and dramatic interpretation.” After his debut with the San Francisco Symphony at age 17, he went on to win numerous awards, including first prize in the Helen Hart International Piano Competition and the Yale Gordon Competition and fifth prize in the Marguerite Long International Competition. He has performed frequently in recital and with orchestras in the United States, Europe, Taiwan, and Korea and has been heard in broadcast performances in New York, Washington, D.C., Baltimore, and Chicago. His first solo compact disc, “A Brahms Recital,” was released in 2001 on the MRC label. He is also a noted chamber musician and collaborator, and has performed in duo recitals at Carnegie Hall, the National Concert Hall in Taipei, and many other venues. He has served on the faculty of the Peabody Conservatory and is currently a staff pianist at the Yale School of Music.

Composer and vocalist Lisa Bielawa is a 2009 Rome Prize winner in musical composition. She moved to New York two weeks after receiving her B.A. in literature in 1990 from Yale University, and became an active participant in New York musical life. She frequently takes inspiration for her work from literary sources and close artistic collaborations. Gramophone reports, “Bielawa is gaining gale force as a composer, churning out impeccably groomed works that at once evoke the layered precision of Vermeer and the conscious recklessness of Jackson Pollock,” and The New York Times describes her music as “ruminative, pointillistic, and harmonically slightly tart.”

Published October 18, 2011
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Linden String Quartet opens second year of Yale residency with Oct. 31 concert

“Remarkable depth of technique and brilliantly nuanced, sumptuous tonality…”
– MusicWeb International

The Yale School of Music presents the Linden String Quartet, its graduate quartet-in-residence, in concert on Monday, October 31 at 8 pm. The ensemble, which has won several prestigious honors and accolades in only three years together, will perform music by Schubert, Ravel, Alban Berg, and Kelly-Marie Murphy.

This concert will open with Schubert’s Quartettsatz in C minor, which was not published until after the composer’s death, and Berg’s two-movement String Quartet, Op. 3, written exactly 90 years later. The first half will close with Kelly-Marie Murphy’s Dark Energy. This single-movement piece explores the idea of dark energy, an antigravity force that Einstein suggested in 1917 as a way of explaining why the universe doesn’t collapse. The work is both melodic and virtuosic, beginning softly and gaining momentum.

Ravel’s lush and complex String Quartet in F major will conclude the concert.

The members of the Linden String Quartet – Sarah McElravy and Catherine Cosbey, violins; Eric Wong, viola; and Felix Umansky, cello – are mentored by the Tokyo String Quartet at Yale. The quartet, which has been described as “truly riveting” (MusicWeb International), also enjoys residencies at the Caramoor Center for Music and Arts and the Canton Symphony Orchestra. MORE

Published October 18, 2011
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