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The National's Bryce Dessner Announces Kronos Quartet Collaborative Album Aheym

Pitchfork
By Evan Minsker

The National and Clogs member Bryce Dessner has announced his debut recording as a composer. Aheym is out November 5 via Anti-. It's a collaboration between Dessner and the avant-classical outfit Kronos Quartet, and it features the Brooklyn Youth Chorus.

"Aheym" (which means "homeward" in Yiddish) was initially written by Dessner for Kronos Quartet's performance at the Celebrate Brooklyn! festival in 2009. The album features four tracks-- an homage to Laurence Neff, Kronos Quartet's lighting designer of 25 years ("Tenebre"), a piece influenced by Czech performers Irena and Vojtěch Havel ("Little Blue Something"), and a piece inspired by Chilean poet Vicente Huidobro ("Tour Eiffel").

New Orleans Friends of Music point to a quote from Dessner about "Aheym":

“David Harrington asked me to write a piece for Kronos Quartet for a performance in Prospect Park, Brooklyn. I live just two blocks from the park and spend many mornings running around it. The park for me symbolizes much of what I love about New York, especially the stunning diversity of Brooklyn with its myriad cultures and communities. My father’s family, Jewish immigrants from Poland and Russia, also lived near the park for many years in the 1940s and ’50s before moving to Queens. In discussing the new piece, David proposed to perform the work in Brooklyn, and then to retrace the journey of my grandparents and perform it in Lodz, Poland, a city where my great-grandparents lived and through which my grandmother passed on her voyage to America.

“‘Aheym’ means ‘homeward’ in Yiddish, and this piece is written as musical evocation of the idea of flight and passage. As little boys, my brother and I used to spend hours with my grandmother, asking her about the details of how she came to America. She could only give us a smattering of details, but they all found their way into our collective imagination, eventually becoming a part of our own cultural identity and connection to the past. In her poem “Di rayze aheym,” the American-Yiddish poet Irena Klepfisz, a professor at Barnard in New York and one of the few child survivors of the Warsaw Ghetto, writes: 'Among strangers is her home. Here right here she must live. Her memories will become monuments.'

“Aheym is dedicated to my grandmother, Sarah Dessner.”

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