Meet composer and DMA candidate Krists Auznieks ’16MM, who spoke to us recently about what drew him to the Yale School of Music.
“I wanted to study at YSM firstly because of the faculty,” he said. “I highly value their diversity, and the prospect of being able to study with all of them was one of my main motivations. The relatively small size of the composition department means that it really is a community. We know one another’s music and we get to hear it at various points in its development. It is absolutely fascinating to see your peers grow and develop. It teaches one not only about musical development within a single piece of music, it reveals larger patterns behind the path of a young composer. It helps to see how regardless of the variety of aesthetic camps present on a single campus there are fundamental commonalties that our paths share, both humanly and musically. The composition department is a miracle within a miracle. The sheer talent that I am surrounded by is truly humbling. We see one another in the composition seminar every Thursday but you read about all of them in The New York Times or see them on TV over the weekend. That’s how high Yale composers' presence is in the ‘real world.’ This is not an isolated department. Rather, it is constantly engaged with the world, with other spheres of human activity, with other arts and artists.”
Auznieks has also tapped into the vast resources the wider University has to offer. “My opera 'NeoArctic,' which was premiered couple of months ago at the Royal Danish Theatre in Copenhagen, talks about the Anthropocene and climate change, and I would not have been able to go into such depth if I did not have the resources that Yale could provide: countless talks given on the campus on the topic, availability of the specialists in the field — these were the resources that allowed me to attain the depth of knowledge that was necessary for the production of such a complex work,” Auznieks said. “Another work that grew directly out of my studies at Yale is the project that I am currently doing with the Contemporaneous ensemble in New York. It involves texts from philosophy and East Asian religions that tackle concepts of the self and nothingness and these ideas grew directly out of the corresponding courses that I took at Yale.”
Auznieks’ “Light Stills” will be performed on an April 13 New Music New Haven concert featuring music by YSM faculty composer David Lang and graduate-student composers.
(Photo by Girts Ragelis)