Doris Yarick-Cross and Richard Cross to retire at year’s end

Richard Cross and Doris Yarick-Cross

For decades, the Yale School of Music’s voice and opera programs have developed remarkable artists who have graced the stages of the world’s most prestigious venues and performed with celebrated opera companies and instrumental ensembles. Doris Yarick-Cross and Richard Cross, who have served on the School’s faculty since 1983 and 1995, respectively, have been an important part of those achievements. Today, we offer our gratitude to Doris and Richard, who, together, plan to retire at the end of the current academic year. Doris and Richard will teach currently enrolled students through the completion of their degree programs.

“In her initial contract, Doris was given the responsibility of establishing a professional opera program in the School of Music,” YSM Dean Robert Blocker said. “With her vision and leadership, Yale Opera has become an internationally renowned program where singers come to launch their careers as vocal artists.” Richard’s “inimitable teaching style and gift for languages has given generations of Yale Opera students unparalleled lyrical training,” Blocker said. “In partnership with Doris and our other stellar voice faculty and staff, Richard has played an essential role in shaping the lives of hundreds of ascendant singers.” MORE

Published October 16, 2018
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Boris Berman to perform program of Haydn and Prokofiev sonatas

Boris Berman

Boris Berman recently said that his Oct. 24 Horowitz Piano Series recital is “another step in (my) exploration of Prokofiev.” Berman, a faculty pianist at YSM and the series’ Artistic Director, has recorded the composer’s complete solo piano music, published a book titled Prokofiev’s Piano Sonatas: A Guide for the Listener and the Performer (Yale University Press), and served as an editor of Shanghai Music Publishing House’s critical edition of Prokofiev’s piano sonatas. In April 2016, Berman organized “Prokofiev at 125,” a concert in which his students performed transcriptions of the composer’s ballet music. Reviewing an all-Prokofiev recital Berman gave at New York’s 92nd Street Y, and with the pianist’s recordings in mind, New York Magazine’s Peter Davis offered, “For a grand tour through the total Prokofiev, I can’t imagine a more observant or articulate guide.”

For his Oct. 24 recital, Berman has paired Prokofiev’s late piano sonatas with Haydn’s “London” Sonatas. In Prokofiev’s piano music, Berman said, he sees connections to the composer’s immediate predecessors, and to the Classical style—”perhaps more so with Haydn than with Mozart.” The three “London” Sonatas (Nos. 50-52), Berman said, are very different from one another, and some of that music indeed looks forward, beyond Classicism. The Prokofiev sonatas—Berman will perform No. 9 and No. 7—are also different in their personalities, the former more introspective and the latter more muscular, in Berman’s words.

Personality will be very much on display in Berman’s recital, in historical terms. When Prokofiev “burst onto the concert scene,” Berman said, the composer and his music shocked some concertgoers. “Some of his premieres were downright scandalous,” Berman said.

In addition to his recital, and to celebrating Haydn and Prokofiev, Berman is always eager to champion the Horowitz Piano Series, which he said is “one of very few piano recital series in the country.”

“Some of the greatest musicians of our time” have performed as part of the Horowitz series, he said. Yale is home to the papers of legendary pianist Vladimir Horowitz, who died in 1989. Guest performers on the Horowitz series have included Emanuel Ax, Ran Dank and Soyeon Kate Lee, Angela Hewitt, Olga Kern, Radu Lupu, and Murray Perahia, to name just a handful. The series, Berman said, is “a great treat for all of us, right here on campus.”

DETAILS & TICKETS

HOROWITZ PIANO SERIES

BORIS BERMAN

THE PAPERS OF VLADIMIR AND WANDA TOSCANINI HOROWITZ

Published October 16, 2018
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