[ Composition ]
Composer Martin Bresnick was born in New York City in 1946 and he is presently Professor of Composition and Coordinator of the Composition Department at the Yale School of Music. He was educated at the High School of Music and Art, the University of Hartford (B.A. ’67), Stanford University (M.A. ’68, D.M.A. ’72), and the Akademie für Musik, Vienna (’69-’70). His principal teachers of composition include György Ligeti, John Chowning, and Gottfried von Einem. Mr. Bresnick has taught at many schools in the United States and Europe, including at the San Francisco Conservatory of Music (1971-72), Eastman School of Music (2002-2003), New College in Oxford (2004), and the Royal Academy of Music in London (2005), among others. In 2006, Mr. Bresnick was also elected to membership of the American Academy of Arts and Letters.
Mr. Bresnick’s compositions cover a wide range of instrumentation, from chamber music to symphonic compositions and computer music. His orchestral music has been performed by major symphonies around the world, including the San Francisco Symphony, St. Paul Chamber Orchestra, Münster Philharmonic, Orquestra Sinfonica do Estado de Sao Paulo, and Izumi Sinfonietta Osaka. His chamber music has been performed in concert by The Chamber Music Society of Lincoln Center, Da Capo Chamber Players, Bang on A Can All Stars, and MusicWorks! among others.
His music has been heard at numerous festivals, including Prague Spring, Tanglewood, Banff, New Music America, and New Horizons. He has also received commissions from the National Endowment for the Arts (1992), Fromm Foundation (1995), Lincoln Center Chamber Players (1997), Meet-the-Composer (1998), and Chamber Music America (1999).
He has received many prizes, including the Elise L. Stoeger Prize from the Chamber Music Society of Lincoln Center (1996), Charles Ives Living Award from the American Academy of Arts and Letters (1998), the ASCAP Foundation’s Aaron Copland Prize for teaching (2000), and a Guggenheim Fellowship (2003).
Mr. Bresnick has written music for films, two of which, Arthur & Lillie (1975) and The Day After Trinity (1981), were nominated for Academy Awards in the documentary category (both directed by Jon Else). Mr. Bresnick’s music has been recorded by Cantaloupe Records, Composers Recordings Incorporated, Centaur, New World Records, Artifact Music and Albany Records and is published by Carl Fischer Music (NY), Bote and Bock, Berlin and CommonMuse Music Publishers, New Haven.