Commencement focuses on the artist’s role

YSM Commencement 2019In his remarks to members of the Class of 2019 during the School of Music’s 126th Commencement on May 20, Dean Robert Blocker told graduates, “The world needs you! It is gasping for the oxygen that your talent and sense of justice can provide.”

Before awarding diplomas to 110 graduates, Blocker presented three students prizes. Composer Miles Walter ’20MM was awarded the Harriet Gibbs Fox Memorial Prize, which is given to the student who has achieved the highest grade-point average during the student’s first year at the School; composer Frances Pollock ’19MM was awarded the Horatio Parker Memorial Prize, which is given to the student who best fulfills Dean Parker’s lofty musical ideals; and violist Marta Lambert ’19MM was presented with the Dean’s Prize, the School’s highest excellence award.

Blocker lauded the work members of the graduating class did to make their community a more welcoming place for those who call the School home, even for a few relatively short years. He cited OutLoud, the School’s first-ever affinity group, which seeks to create a safe space for LGBTQ students, faculty, and staff. And he praised the YSM Black Collective, whose leadership, “with courage, kindness, and restraint, called on our community to become better educated about unconscious and implicit bias.” Blocker also referenced the Music in Schools Initiative and the School’s Declaration on Equity in Music for City Students in pointing to the School’s commitment to advocacy and action.

Faculty trumpeter Allan Dean and faculty and University organist Thomas Murray performed Schubert’s An die Musik, which students, faculty, and staff sang, in keeping with School tradition. For Dean and Murray, the performance marked the end of decades-long careers at Yale. Both retired at the end of the academic year.

Watch Dean Blocker’s 2019 Commencement Address, Why Music Matters

Watch the presentation of student prices

Watch the awarding of diplomas

Published May 23, 2019
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Trumpeter Kevin Cobb appointed to YSM faculty

Kevin Cobb

School of Music Dean Robert Blocker announced today that trumpeter Kevin Cobb has been appointed to the YSM faculty. Cobb will begin teaching at the School in the fall. “Kevin is a member of the American Brass Quintet and performs frequently with the New York Philharmonic,” Blocker said. “He teaches at The Juilliard School and also gives master classes throughout the country. His concert activities and discography reflect those of a renowned artist.” Cobb also holds teaching positions at New York University and SUNY Stony Brook, and at the Aspen Music Festival and School and the Colorado Summer Music Festival.

Cobb has performed with such renowned ensembles as the American Composer’s Orchestra, Cleveland Orchestra, Metropolitan Opera Orchestra, New York New Music Ensemble, Orpheus Chamber Orchestra, Philadelphia Orchestra, Speculum Musicae, St. Louis Symphony Orchestra, and St. Paul Chamber Orchestra, among others.

In additions to his solo recording One: American Music for Unaccompanied Trumpet (Summit Records) and those made with the American Brass Quintet, Cobb appears on recordings by the St. Louis Symphony Orchestra and the Metropolitan Opera Brass.

Cobb studied at the Interlochen Arts Academy and earned his bachelor and master of music degrees from the Curtis Institute and The Juilliard School, respectively.

He succeeds Allan Dean, who will retire at semester’s end after 30 years on the YSM faculty. “My gratitude to Allan Dean is boundless,” Blocker said.

Published March 13, 2019
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YSM faculty trumpeter Allan Dean to retire

Allan Dean

Over the course of 30 years at the Yale School of Music, faculty trumpeter Allan Dean has shared with students, colleagues, and audiences alike the yield of his vast musical experience. His career has been marked as much by excellence as it has by curiosity. Today, as Dean makes plans to retire at the end of the academic year, we celebrate what he has meant to our community and to the wider musical world.

“My gratitude for his collegiality and personal friendship is boundless,” YSM Dean Robert Blocker told the School of Music community. “Allan has contributed significantly to the artistic and academic maturation of the School of Music and to the discipline of music.”

Dean has played with the most venerated brass ensembles, including the New York Brass Quintet, of which he was a member for nearly two decades, as well as the American Brass Quintet, Summit Brass, St. Louis Brass Quintet, and Yale Brass Trio, alongside faculty hornist William Purvis and faculty trombonist Scott Hartman. For more than 20 years in New York City, Dean performed and recorded extensively, appearing on dozens of major-label releases of repertoire from early music to contemporary works.

A founding member of Calliope: A Renaissance Band and the New York Cornet and Sacbut Ensemble, Dean’s exploration of early music and period instruments has included performances with the Waverly Consort and the Smithsonian Chamber Players.

“This is a profoundly sad moment for me, but also an extraordinarily inspiring moment,” Purvis wrote on Facebook. “Allan has pursued a remarkably independent life in music that has epitomized curiosity and excellence in every aspect, every corner of music, to an extent that continues to inspire and instruct me on a daily basis.”

As a teacher, Dean has mentored musicians at such respected institutions as Indiana University, the Manhattan School of Music, and the Eastman School of Music. He has also taught and performed at festivals in the United States and abroad including the Spoleto and Casals festivals, and the Yale Summer School of Music/Norfolk Chamber Music Festival. Trumpeter and Yale School of Music alumna Jean Laurenz ’13MM ’14AD said that Dean, “more than anything, created an environment of camaraderie that allowed each of our individual artistic voices to flourish.”

Dean arrived at YSM in 1988, succeeding longtime faculty trumpeter Robert Nagel Jr., with whom Dean worked in the New York Brass Quintet. In that respect, Dean continued a legacy at Yale while bringing his unique personality to his work. Dean has “transformed the lives of his students, his colleagues, and indeed those fortunate enough to have heard his performances on stage and through recordings,” Blocker said.

Allan Dean’s next concert at Yale will be with his colleagues in the Yale Brass Trio. A date for that performance will be announced soon.

Published October 12, 2018
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Alumna Olivia Malin ’07MM, on choosing a career as a music educator

Olivia Malin works with students at KAPPA International High School

Trumpeter Olivia Malin ’07MM, who studied with Allan Dean and worked in the Music in Schools Initiative during her time at YSM, is entering her 11th year as a public-school music educator and teaches at KAPPA International High School in the Bronx, New York. Malin spoke with us recently about being inspired, as a student, to pursue a career in education despite the pressure she felt to focus on performance.

Q: You were a Teaching Artist in YSM’s Music in Schools Initiative. How did that program prepare you for what you’re doing now at KAPPA International High School?
A: While I was a student at YSM, I was also working in the Music in Schools Initiative. At first I stayed firmly in my comfort zone, teaching elementary/middle school brass group lessons. Midyear, I was branching out to woodwinds and percussion, and in the spring, I was running full band rehearsals when the band director wanted to do isolated lessons himself. I also began working with first- to third-graders learning piano and guitar. My second year in the program, I was placed at a high school where I got the opportunity to teach higher-level lessons and music, and to assist teaching AP music theory. The varied placement over those two years gave me a significant taste of what teaching K-12 would be like, with significant hours teaching piano, guitar, band, and general music classes. Even more important, the program was the first exposure that opened my eyes to what urban schools need, and what they don’t need, from me. At KAPPA, I now teach rock band, guitar, IB music, band, beginner band, and chorus – and I have also taught piano and general music – so the majority of classes I helped with at YSM are in fact what I teach full-time now.

Q: Did you know or think, upon enrolling at Yale, that you’d become a music teacher?
A: I have always taught private trumpet lessons, but no, I never thought I would be a full-time music teacher. We all know the stigma that exists about music teaching, and I admit I used to believe that only those performers who weren’t very good would end up as educators. It’s an easy thing to believe, since once a person becomes a teacher, it’s pretty difficult to maintain a high level of performance on their instrument, and most people don’t see the “performance level” of teaching. It’s hidden in the classroom – your audience is 30 students who don’t always applaud. One of the most difficult barriers I broke through was deciding that public-school teaching would be a higher calling than performing. There is so much outside pressure in the performance world not to become a teacher, and that pressure shows up constantly in little ways from friends, teachers, family, and the general public.

[Prof. Dean, Malin said, “is a wonderful teacher who taught me well and supported me through this decision to switch to teaching, something I think not all professors would be able to do.”] 

Q: What informed your decision to transition from focusing on performance to focusing on education?
A: What I started noticing was that my levels of happiness and self-worth after teaching at Lincoln-Bassett School or Wilbur Cross High School were significantly higher than those after an orchestral rehearsal or concert. I also noticed that I looked forward to being around the students – learning from them and laughing with them as much as teaching them content – much more than I expected. Their energy in the band room was so fresh and vibrant that I wanted more and more hours teaching in the program, and I spent extra time there after my paid time expired. The real moment, however, was when Associate Dean Michael Yaffe approached me sitting in (operations manager) Tara Deming’s office one day. He started talking about me to other people in the office, about what great teaching looked like and that he saw amazing potential in me when he saw how I lit up around students. In that short conversation, I saw something in myself that had until that point been a hobby, something I was good at and made a little money at, but which had never been a true option. Hearing him say those things out loud suddenly gave the green light to a career I hadn’t realized was a possibility – and a highly respectable possibility validated by the associate dean.

Q: What would you tell incoming YSM students who’re starting to think about what their careers might look like after school?
A: Be open to absolutely anything, say yes to everything, and be professional constantly. The music scene for you can be a combination of so many fulfilling things that it makes no sense to pigeonhole yourself early on. Don’t rule anything out simply because of generalizations – they may not apply to you! I am going into my 11th year of public school teaching. I am a proud high-school teacher in the Bronx and a trumpet player in a salsa band in Manhattan – and I wouldn’t change anything about my life.

Published August 1, 2017
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Inside YSM: Ashley Hale ’18MM, trumpet

Ashley Hale ’18MM

Meet YSM student trumpeter Ashley Hale ’18MM, who recently spoke with us about how she came to choose the Yale School of Music.

“I must admit, I wasn’t sure I even wanted to attend grad school,” Ashley said. “I was so ready to be done with classes and stuff that I hadn’t thought of it. There I was at the beginning of my last year of undergrad and I did not have any plans. I decided to audition for schools and see what happened. I was asking around for recommendations of schools because I had not done much research. I applied to YSM on the recommendation of my teacher at the time, Roy Poper. Once I got here, I was pleasantly surprised with how little it feels like school. I’m only taking two classes but I am involved with many outside-of-class activities. I go to class in the morning then teach in the New Haven Public Schools as a Yale Teaching Artist, get to make music with my brass quintet, and sometimes rehearse with the Yale Philharmonia. I am loving my life here at YSM and am so glad I decided to apply!”

Ashley talked specifically about studying with YSM faculty trumpeter Allan Dean.

“Studying with Mr. Allan Dean has been great!” she said. “He has such a strong concept of phrasing with everything he does. I am always amazed with his reasoning for each musical idea he has. Phrasing is definitely something I need to think more about and I’m looking forward to learning much more from him.”

Of taking advantage of all that the School, the University, and the city have to offer, Ashley said, “The campus is so pretty and I’m really enjoying New Haven. It is great to be able to study in a cute place as well as a brand new building. I have not taken any classes within the University yet, but I might look at some language classes later, if possible. I love being able to utilize the libraries and immense resources on campus. There are so many places within the School of Music that I love. I like to spend time in the recording studio (CSMT) working on different projects, as well as the music-composition lab in Leigh Hall.”

#insideYSM

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Published March 24, 2017
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Concert remembers composer, former dean Ezra Laderman March 2

Ezra LadermanThe Yale School of Music presents a concert in memory of the late Ezra Laderman on Wednesday, March 2 at 7:30 pm. Laderman served as Dean of the Yale School of Music from 1989 to 1995 and on faculty as professor of music until his retirement in 2014.

The concert will feature selections from several of Laderman’s compositions, as well as spoken and video tributes from his Yale colleagues.

The world premiere of Laderman’s Partita for Solo Violin will be performed by alumnus Benjamin Hoffman.

Frank Morelli and Ole Akahoshi, both members of the School of Music faculty, will play movements from the Partitas for solo bassoon and solo cello, respectively. MORE

Published February 23, 2016
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CANCELED: Brass of Yale performs at Carnegie Hall Jan. 24

Yale Brass Trio

Yale Brass Trio

Update 1/23: We regret that, because of the severity of the blizzard, this concert has been canceled.

The Yale School of Music continues its acclaimed Yale in New York series on Sunday, January 24 with a program of music for brass. The concert will highlight the school’s acclaimed brass faculty as well as the contributions to the brass repertoire of past and present Yale composers. The program honors the late composers Ezra Laderman and Gunther Schuller, both of whom served on the Yale faculty.

The evening is anchored by the Yale Brass Trio, comprising William Purvis, horn; Allan Dean, trumpet; and Scott Hartman, trombone. They are joined by fellow faculty member Carol Jantsch, tuba, and numerous YSM students and alumni.

Ezra Laderman

Ezra Laderman

A former dean of the Yale School of Music, Ezra Laderman (1924–2015) joined the Yale faculty in 1988 and served as Professor of Music until his retirement in 2013. He also served as the president of the American Academy of Arts and Letters. William Purvis, Allan Dean, and Scott Hartman will perform the New York premiere of his Brass Trio, written in 2005. MORE

Published January 5, 2016
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Yale Brass Trio performs music by Laderman and more Nov. 10

Yale Brass Trio

Yale Brass Trio

The Faculty Artist Series at the Yale School of Music presents a recital by The Yale Brass Trio on Tuesday, November 10 at 7:30 pm.

The members of the trio, who all serve on the Yale School of Music faculty, are William Purvis, horn; Allan Dean, trumpet; and Scott Hartman, trombone.  They will be joined by award-winning guest pianist Mihae Lee.

After opening with music from the early Italian Renaissance, the program will honor the memory of Ezra Laderman with a performance of the late composer’s Brass Trio.

MORE

Published November 2, 2015
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Yale in New York series announces 2015–2016 season, opening Oct. 25 with Nielsen and Sibelius

“The Yale School of Music has established a formidable presence with its Yale in New York series at Carnegie Hall… mainly by presenting inventive programs of mostly new or unusual works.”
The New York Times

Yale in New York at Weill Recital Hall

Yale in New York at Weill Recital Hall

The Yale School of Music announces its return to Carnegie Hall with the 2015–16 season of Yale in New York. The series—now in its ninth year at Carnegie—has garnered a reputation for its creative and diverse programming, with frequent collaborations between Yale’s distinguished faculty and its exceptional network of current students and alumni.

The season consists of three chamber music concerts, all on Sundays at 7:30 pm at Carnegie Hall’s Weill Recital Hall. The first concert will take place on October 25, celebrating the 150th anniversary of the births of composers Carl Nielsen and Jean Sibelius. MORE

Published October 9, 2015
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Yale Brass Trio celebrates music from the Renaissance to today in Feb. 9 concert

Yale Brass TrioThe Faculty Artist Series at the Yale School of Music presents a recital by The Yale Brass Trio on Monday, Feburary 9 at 7:30 pm.

The trio comprises three Yale School of Music faculty members who all have established high-profile careers of their own: William Purvis, horn; Allan Dean, trumpet; and Scott Hartman, trombone. Along with award-winning guest pianist Mihae Lee, they will perform an eclectic program features music from the English Renaissance to 19th-century France to the present day. MORE

Published February 3, 2015
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