Nancy Marx Better, on her relationship with the School of Music

Nancy Marx Better

In addition to her service to the University, for which she will receive the Yale Medal today, Nancy Marx Better ’84BA has long been committed to furthering the specific interests of the School of Music. Better has served on the School’s Board of Advisors since 2012.

“Our family’s dedication to music at Yale really comes from my mother,” Better said, explaining that through her mother, pianist and philanthropist Sylvia Marx, her family developed a relationship with the School.

Better’s family has had a decades-long relationship with the University. Four generations of Better’s family have studied at Yale, including her three children. The only member of her family who did not study at Yale is Marx, who has served on the School’s Board of Advisors since 2002. “If Yale had been co-ed in the early 1950s, I’m sure they would’ve wanted her,” Better said of her mother, who studied at and graduated from Connecticut College.

Better’s service to the School is of a practical nature. “While I’m not a music expert, I think that I have some good institutional knowledge about Yale,” she said. Better, who has worked as a journalist, chairs the Yale University Library Council, and, as the University has pointed out, “has participated on the Yale Development Council dating back to its establishment in 2012, has been an Alumni Schools Committee interviewer since 1990, and served on the Yale Tomorrow Campaign Committee from 2005 through the close of the campaign,” among other areas of service. Better takes a holistic view of her work for the University.

“The School of Music is part of the fabric of Yale,” she said. “Music is everywhere at Yale,” from University President Peter Salovey’s interest in bluegrass to the countless students who have relationships with music. “There’s this broader sense that the arts spark creativity and innovation in other areas. It’s sort of osmosis. I like to think that the tremendous breadth and depth of what’s available at Yale benefits everybody.” Better is interested in connecting the dots.

“The stuff I really like is strategy,” Better said. “I really enjoy talking with (School of Music Dean Robert Blocker) and my colleagues about the strategies for the School of Music. I love to look forward.” She sees the future in the students whose performances she hears. She’s “dazzled” by their artistic potential.

Better is also encouraged by the School’s Music in Schools Initiative, a partnership with the New Haven Public Schools in which teaching artists from the School support the work of music teachers in the public schools. The Declaration on Equity in Music for City Students, which the School published in 2017, and the work that Yale does in the community is “extraordinary,” she said. “It’s classic Yale.”

Nancy Marx Better will receive the Yale Medal on Thursday, November 21, during the Yale Alumni Association Assembly and Yale Alumni Fund Convocation

Published November 21, 2019
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Prizes awarded at annual Honors Banquet

Dean Robert Blocker

On Sunday, May 6, YSM Dean Robert Blocker told graduating students that he looks forward to hearing their music in venues around the world. The occasion was the School’s annual Honors Banquet, which was held this year at the Omni New Haven Hotel at Yale. Attendees included students and alumni, faculty and staff, YSM board members Mary Beth Buck, Walter Buck, and Stephanie Yu Lim, and emeritus staff and faculty members Rosemary Gould, Gene Kimball, Judy Long, and Mary-Jo Warren. Aimlee Laderman, whose late husband Ezra Laderman was a longtime member of the School’s composition faculty and from 1989 to 1995 served as Dean, was also in attendance.

Blocker announced that the Ian Mininberg Distinguished Service Award would be presented at Commencement, as this year’s recipient, composer Lori Laitman ’76MM, was unable to attend the Honors Banquet, at which the award is traditionally conferred. Blocker congratulated students who won or placed at competitions this year and acknowledged YSM’s Music in Schools Initiative, whose leadership — Director Rubén Rodríguez ’11MM, Associate Dean Michael Yaffe, and Yaffe’s assistant, Rachel Glodo — was recognized by the University in April with an Ivy Award for the work the program does at Yale and in the New Haven community. “Yale has no finer community engagement program than Music in Schools,” Blocker said.

At the end of the night, Blocker expressed his gratitude to students, faculty, and staff for a wonderful year. “As one who at different moments has been touched by your talent and compassion,” he said, “I want to thank you on behalf of a wider audience.”


The following student prizes were presented during the Honors Banquet.

Brass and Woodwinds

The Thomas Daniel Nyfenger Memorial Prize, which is awarded to a graduating student who has demonstrated the highest standard of excellence in woodwind playing, was presented to oboist Lauren Williams. The John Swallow Prize, which is given to an outstanding brass player whose artistry and dedication have contributed to the department, was awarded to trombonist Zachary Haas.

Left to right: Dean Robert Blocker, Director of Choral Conducting Marguerite Brooks, Joseph Kemper, and Professor of Choral Conducting Jeffrey Douma

Left to right: Dean Robert Blocker, Director of Choral Conducting Marguerite Brooks, Joseph Kemper, and Professor of Choral Conducting Jeffrey Douma

Choral Conducting

The inaugural Robert Shaw Prize, given in honor of the renowned American choral conductor and awarded to a choral conducting major in the School of Music chosen by the choral conducting faculty for distinguished achievement, was presented to Joseph Kemper.

Composition

The Woods Chandler Memorial Prize for the best composition in a larger form written during the year was awarded to Krists Auznieks. The Rena Greenwald Memorial Prize for the best piano composition written during the year went to Alishan Gezgin. The John Day Jackson Prize for outstanding chamber music compositions written for strings with or without other instruments was presented to Fjóla Evans. The Frances E. Osborne Kellogg Memorial Prize for the best composition written in a contrapuntal style was given to Liliya Ugay. And the Ezra Laderman Prize for the best compositions written for musical theater or voice was awarded to Sophie Cash-Goldwasser and Eli Greenhoe.

Dean Robert Blocker, Sophie Cash-Goldwasser, Eli Greenhoe, and Professor of Composition Martin Bresnick

Left to right: Dean Robert Blocker, Sophie Cash-Goldwasser, Eli Greenhoe, and Professor of Composition Martin Bresnick

Guitar

The Eliot Fisk Prize, which is given to an outstanding guitarist whose artistic achievement and dedication have contributed greatly to the department, was awarded to Gunnlaugur Björnsson.

Organ

The Charles Ives Prize, which is awarded to an outstanding organ major, went to Diana Chou. The Julia R. Sherman Memorial Prize for excellence in organ playing was awarded to Matthew Daley.

Piano

The Charles S. Miller Prize, which is given to a gifted pianist who has done outstanding work during the first year of study, was awarded to Gabriele Strata. The Elizabeth Parisot Prize, which goes to outstanding pianists in the School of Music, was awarded to Dong Won Lee and Yannick Van de Velde.

Strings

The Georgina Lucy Grosvenor Memorial Prize, which is awarded to the violist in the graduating class whose performances while at Yale have exhibited the highest potential for success as a soloist or chamber musician in the field, was given to Julia Clancy. The Aldo Parisot Prize, which is awarded to gifted cellists who show promise for a concert career, was presented to Samuel DeCaprio and Bitnalee Pong. The Broadus Erle Prize, which is given to outstanding violinists in the School of Music, went to Laura Park, Alyssa Blackstone, and Dhyani Heath.

Voice

The David L. Kasdon Memorial Prize, which is awarded to an outstanding singer in the School of Music, went to Stephen Clark. The Smriti Deb Memorial Prize, which is given to an outstanding graduating singer who best reflects and exemplifies the ideals and values of Smriti Deb and her commitment to teaching low-income and underrepresented children, was awarded to Sylvia D’Eramo. And the Phyllis Curtin Career Entry Prize, whose purpose is to assist in launching the career of a graduating voice student who demonstrates exceptional talent as an artist and promise for professional success, was awarded to Bryan Murray.

Doctor of Musical Arts

The Friedmann Thesis Prize, which is awarded to a DMA candidate whose thesis is notable for its distinguished research, original perspective, in-depth engagement with its subject, and well-crafted presentation, was presented to composer Krists Auznieks.

Left to right: Dean Robert Blocker, Deputy Dean Melvin Chen, Sophiko Simsive, Leo Sussman, Scott Leger, Liliya Ugay, Director of Admissions and Alumni Affairs Donna You, Bora Kim, Sarah Saturnino, and James Simon Lee

Left to right: Dean Robert Blocker, Deputy Dean Melvin Chen, Sophiko Simsive, Leo Sussman, Scott Leger, Liliya Ugay, Director of Admissions and Alumni Affairs Donna Yoo, Bora Kim, Sarah Saturnino, and James Simon Lee

School

The Malcolm L. Mitchell and Donald M. Roberts, Class of 1957 Prize, which is given to an outstanding graduating teaching artist in the Music in Schools Initiative, was awarded to flutist Helen Hye Jin Park. The Philip Francis Nelson Prize, which is awarded to a graduating student whose musicianship is outstanding and who demonstrates curiosity, talent, and the entrepreneurial spirit in the many dimensions of the music profession, was presented to violist Florrie Marshall. The Presser Foundation Music Award, which is awarded to an outstanding returning student to advance his or her music education, went to Shawn Hutchison. And the Yale School of Music Alumni Association Prize, which is awarded to graduating students who have not only excelled in their respective fields but have also made important contributions to the general life of the School, was presented to clarinetist Graeme Johnson, violinist Bora Kim, choral conductor James Simon Lee, hornist Scott Leger, mezzo-soprano Sarah Saturnino, pianist Sophiko Simsive, flutist Leo Sussman, and composer Liliya Ugay.

Photos by Harold Shapiro.

Published May 8, 2018
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[ board of advisors ]

League of American Orchestras awards Gold Baton to Anne-Marie Soulliere

Mark Volpe presents the Gold Baton to Anne-Marie Soullière. Photo by Nannette Bedway

Mark Volpe presents the Gold Baton to Anne-Marie Soullière. Photo by Nannette Bedway

Anne-Marie Soullière, a member of the Yale School of Music’s Board of Advisors, was awarded the Gold Baton at the League of American Orchestras’ recent conference.

Soullière is the retired president of Fidelity Foundation. Her relationship with the Yale School of Music began in 1970 with a secretarial job and has grown immensely since then: in addition to serving on the Board of Advisors, she is also a member of the Battell Stoeckel Trust, the fundamental source of support of the Yale Summer School of Music/Norfolk Chamber Music Festival.

The Gold Baton, the League’s highest honor, was presented by Mark Volpe, managing director of the Boston Symphony Orchestra. Volpe cited Soullière’s “lifetime of passionate support for music, enlightened leadership of the Fidelity Foundation, and wise, sympathetic counsel to numerous musical leaders.”

Robert Blocker, dean of the Yale School of Music, said: “Anne-Marie has been and remains a dynamic advocate for music.  We are most  fortunate to have her wisdom and vision as a charter member of our Board of Advisors.” MORE

Published June 25, 2015
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