[ in the press ]
The music of Matthew Welch, who began a weeklong residency at the Stone on Tuesday, draws on a world of influences. His opening set, performed by the ensemble Cantata Profana, packed in references to Highland bagpipes, Balinese funerary rites, Minimalism, Borges, Beckett and Buddha. Yet much of the resulting chamber music is exquisitely ethereal, made up of delicate, transparent textures that hum with expressive tension. If Mr. Welch were a chef, he’d be the kind who pushes the boundaries of molecular gastronomy, transforming earthy ingredients into translucent beads of pure flavor.