Jungah Yoon ’19MM, on performing Reinecke’s Flute Concerto

Jungah Yoon

On April 26, flutist and Woolsey Hall Concerto Competition winner Jungah Yoon ’19MM will perform Carl Reinecke’s Flute Concerto in D Major, Op. 283, with Principal Conductor Peter Oundjian and the Yale Philharmonia. We spoke with Yoon about the challenges and rewards of performing such an important part of the flute repertoire.

Q: Why did you choose the Reinecke Flute Concerto as your competition piece?

A: The Reinecke Flute Concerto is unique in being the only flute concerto of the Romantic era, and many audience members will get to experience it for the first time. I feel a strong connection to this piece and believe that many aspects of it relate to my own life and personal experiences. When I perform this piece, I hope to share my story. I chose this piece especially because of the second movement, which is extremely nostalgic and heart-wrenching. Throughout the concerto, there are many passages of dialogue between the different voices—for example, between the solo flute, trumpet, and clarinet in the first movement, and a wonderful cantilena with the cello in the slow movement (or with the timpani, which features the same rhythm as the cello’s pizzicato passages). This rhythm sounds like a beating heart, or perhaps recalls a funeral march. The work encompasses a wide expressive scope, and it is an outstanding piece for the flute.

Q: Reinecke was a contemporary of Brahms and conducted several premieres of Brahms’ works. Do you hear the influence of this relationship in Reinecke’s Flute Concerto?

A: The Flute Concerto was written in 1908, and a key element to understanding the music is to consider its Romantic idiom, an old-fashioned style for its day. The work is rooted in the early 19th century language of Mendelssohn and Schumann, with whom Reinecke studied after settling in Leipzig in 1843, in stark contrast to the style and texture of some exemplary works composed during the same period—for example, Stravinsky’s Firebird (1910) and Petrushka (1911) ballets. Reinecke’s concerto shows him at his best and provides a milder taste of the early 20th century.

The work is in three movements, all rather different in character. The opening Allegro molto moderato is the most symphonic of the three and reflects the influence of Brahms. The first measures seem to emerge and join in on an already existing thought. The slow movement, Lento e mesto (“slow and sad”), is in the style of a bel canto aria, recalling Bellini, or the young Donizetti. The orchestra recedes to an accompanimental role, clearly giving front stage to the flute-as-protagonist, who sings mournfully in B minor. The finale is more upbeat than its Moderato marking might suggest. Reinecke’s keyboard influences are apparent in the overall texture, in which melody and accompaniment are clearly delineated yet rhythmically and gesturally interwoven.

Q: What have been the challenges of preparing and performing this concerto?

A: Personally, the most important aspect of my preparation is feeling that I truly know the work inside and out. Although the process is different for every performance of it, and new challenges arise, I always try to place focus on shaping the various lines, feeling comfortable with the technical elements, and, above all, sharing an expressive story with the audience.

The Romantic language of the Reinecke Flute Concerto has a lot to offer in terms of the expressive writing in the strings and the many colors in the winds and brass. The most challenging aspect of performing this piece is to project above and amid these textures, not just in the literal sense of projecting into the concert hall, but also the deeper manner of projecting my story and emotions to the audience. In this spirit, I hope to connect with the audience in a meaningful way.

Q: In what ways does your mindset change when you’re a soloist?

A: I have come to think about my sound more than I used to in the past. Playing with a big ensemble means that I have to project through the texture even in the softest dynamics, and that my sound needs to be clean and focused. Therefore, it requires a lot more energy compared to when I am playing solo, and I need to be aware of the balance and interaction as a soloist with the many textures and instruments of the orchestra.

Q: What are your thoughts on working with Principal Conductor Peter Oundjian, and on performing as a soloist with an orchestra of your peers?

A: I had the experience of working with Maestro Oundjian earlier this year, when we performed selections from Prokofiev’s Romeo and Juliet, as well as Shostakovich’s Symphony No. 11, for which I was principal flute. I was inspired by his expressive approach and flexibility, always engaging the orchestra to actively listen better. His passion carries through to the vibe of the orchestra and encourages us all to keep an open mind to music-making. I feel grateful for the opportunity to work with Maestro Oundjian again, and to play with the Yale Philharmonia.

This experience is so meaningful to me, especially since it is my first time playing as a soloist with an orchestra. I am so happy to share the stage with my wonderful colleagues and beautiful musicians, who are so supportive and always give me positive energy. Coming to Yale was my first time studying abroad, and this enriching community of peers made me feel comfortable and at home. I look forward to playing with them and am excited for the concert!

Principal Conductor Peter Oundjian leads the Yale Philharmonia in a season-ending performance of Brahms’ First Symphony on a program that also includes Reinecke’s Flute Concerto in D major, with Woolsey Hall Concerto Competition winner Jungah Yoon ’19MM, and Joan Tower’s Made in America, on Friday, April 26, at 7:30 p.m., in Woolsey Hall.

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Published April 12, 2019
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YSM Alumni News | November 2018

Molly Joyce. Photo by Nadine Sherman

Flutist Amanda Baker ’00MM returned to Yale in April 2018 to become Senior Associate Director for Young Alumni for the Yale Alumni Fund. She was also a guest lecturer this spring at the University of Hartford, where she taught “Entrepreneurship in the Arts,” and continues to teach flute at Eastern Connecticut State University.

Double Bassist Mark Elliot Bergman ’97MM received a Performing Arts Fellowship in Music from the Wyoming Arts Council, one of four recipients in the state. Bergman’s winning original compositions include Ondine, The Temple, and Shenandoah Suite, a string trio commemorating the 75th anniversary of the founding of Shenandoah National Park.

Violist Emily Grace Brandenburg ’17MMA was named Administrative Assistant at the McDuffie Center for Strings at Mercer University in Macon, Ga. MORE

Published November 7, 2018
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YSM Alumni News | July 2018

Samuel Adams

Composer Samuel Adams ’10MM had a new chamber concerto premiered by violinist Karen Gomyo and the Chicago Symphony Orchestra. His Movements (for us and them) will be performed by the Australian Chamber Orchestra on tours of Australia and the United States this summer.

Guitarist Trevor Babb ’12MM ’14MMA was appointed adjunct artist in guitar at Vassar College and will begin that role in the fall.

Hornist Luke Baker ’18MM, bassoonist Matthew Gregoire ’17MM, and double bassist Kaden Henderson ’17MM ’18MMA will join The Orchestra Now at the beginning of the 2018-2019 season.

Composer, pianist, and organist Calvin Bowman ’99MMA ’05DMA was signed to Decca/Universal Music Australia, which will release a recording of his songs called Real and Right and True in July.

Sarah Boxmeyer ’16MM won the position of associate principal/third horn of the Hawaii Symphony Orchestra. Boxmeyer played with the orchestra for much of the 2017-2018 season and will begin her first full season in September.

Conductor John Concklin ’08MM received a one-year appointment as associate professor of conducting at the Blair School of Music at Vanderbilt University.

Kevin Dombrowski ’14MM won the position of second trombonist of the Illinois Symphony Orchestra and will begin playing with the orchestra in October.

Percussionist Timothy Feeney ’01MM ’02MMA ’07DMA was appointed to a full-time faculty position as a percussion artist at the Herb Alpert School of Music at California Institute of the Arts.

Timothy Gocklin ’14MM ’15AD was appointed artist-in-residence in oboe at the University of Northern Colorado.

Romie de Guise-Langlois

Romie de Guise-Langlois ’06MM ’07AD was appointed assistant professor of clarinet at the University of Massachusetts Amherst.

Violinist Ethan Hoppe ’16MM ’18MMA will join the New World Symphony for the 2018-2019 season.

Guitarist Sharon Isbin ’78BA ’79MM is serving as director of classical guitar at the Aspen Music Festival this summer, teaching, giving master classes, and performing.

Organist Paul Jacobs ’02MM AD recently joined the Philadelphia Orchestra on its tour of Europe and Israel. Jacobs’ recent solo engagements also include performances with the Chicago Symphony Orchestra and The Cleveland Orchestra.

Conductor Farkhad Khudyev ’10MM, the third prize-winner at the eighth annual Sir Georg Solti International Conducting Competition in 2017, received a 2018 Solti Foundation Career Assistance Award.

Pianist Henry Kramer ’13AD ’19DMA was named the L. Rexford Whiddon Distinguished Chair in Piano at the Joyce and Henry Schwob School of Music at Columbus State University.

Violinist Cheuk Yin Luu ’18MM won a position in the first violin section of the Buffalo Philharmonic and will begin playing with the orchestra in September.

Missy Mazzoli ’06MM was named the Chicago Symphony Orchestra’s new Mead Composer-in-Residence. Music Director Riccardo Muti appointed Mazzoli to a two-year term.

Bassoonist Marissa Olegario ’15MM was appointed assistant professor of music at the University of Arizona’s Fred Fox School of Music for the 2018-2019 academic year. Olegario will teach bassoon and perform in the Arizona Wind Quintet, a faculty ensemble.

Choral conductor Sarah Paquet ’16MM was appointed assistant director of choral activities and lecturer in music in the Smith College Music Department and will begin in the fall.

Trombonist Matthew Russo ’12MM joined the S. E. Shires Company’s artist roster.

Kate Sheeran

Hornist Kate Sheeran ’04MM was named executive director of the Kaufman Music Center, effective in August 2018. Sheeran previously served as provost and dean at the San Francisco Conservatory of Music.

James Austin Smith ’08MM joined the faculty at Stony Brook University as interim visiting artist-in-residence of oboe.

Flutist Leo Sussman ’18MM will join Ensemble Connect in September.

Guitarist An T. Tran ’16MM was awarded first prize at the University of Rhode Island’s Rising Stars Competition.

Pianist Yevgeny Yontov ’14MM ’20DMA was appointed to a one-year assistant professorship as instructor of piano in the College of Musical Arts at Bowling Green State University. Yontov will begin in mid-August and will teach piano and collaborative piano and coach chamber music.

Pianist Joon Yoon ’16MM was awarded the Guildhall School’s (London) Gold Medal, the school’s most prestigious prize for outstanding soloists.

Published July 9, 2018
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YSM Student News | June 2018

Ji Su Jung

NeoArctic, a large-scale multimedia work by composer Krists Auznieks ’16MM ’22DMA, was staged at the Southbank Center in London, in May.

Composers Ethan Braun ’21DMA and Liliya Ugay ’16MM ’22DMA have been named 2018 CULTIVATE fellows and are currently participating in the emerging composers institute at Copland House, in Cortlandt Manor, NY.

Tubist Jake Fewx ’18MM ’19MMA will compete in August as a semifinalist in the Leonard Falcone International Euphonium and Tuba Festival competition, in Twin Lake, Mich.

Percussionist Ji Su Jung ’19MM won the Houston Symphony’s Ima Hogg Competition in early June. In addition to receiving the Grace Woodson Memorial Award, which comes with a $25,000 cash prize, Jung took home the Herman Shoss Audience Choice Award. As the winner of the competition, Jung will perform in July as a soloist with the Houston Symphony.

Flutist Benjamin Morency ’18MM won the Boston Woodwind Society’s Doriot Anthony Dwyer Merit Award Competition in April.

The New York Times described composer Peter S. Shin ’20MMA as “a composer to watch” in “The Week in Classical Music,” which includes a review of the premiere of his orchestral piece Slant.

Violist Marlea Simpson’19MM has earned a tenured position in the Grant Park Orchestra, in Chicago, Ill.

Published June 6, 2018
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Winners of 2018 Woolsey Hall Concerto Competition announced

The 2018 Woolsey Hall Concerto Competition took place on Sunday, April 8. This year’s competition yielded three winners: tubist Jacob Fewx ’18MM, who performed Arild Plau’s Concerto for Tuba and Strings; pianist Sophiko Simsive ’18MM, who performed Johannes Brahms’ Piano Concerto No. 1 in D minor, Op. 15; and flutist Jungah Yoon ’19MM who performed Carl Reinecke’s Flute Concerto in D major, Op. 283. As winners, these students will perform with the Yale Philharmonia during the 2018-19 season. Cellist Samuel DeCaprio ’18MMA was selected as an alternate, and violinist Ariel Horowitz ’19MM received an honorable mention.

The judges were violinist Solomiya Ivakhiv, who serves as assistant professor of violin and viola and coordinator of strings at the University of Connecticut, André-Michel Schub, who is on the piano and chamber music faculty at the Manhattan School of Music, and New York Philharmonic bass trombonist George Curran, who is a faculty member at Rutgers University and the Manhattan School of Music.

We congratulate our outstanding students and look forward to hearing them perform next season with the Yale Philharmonia.

Published April 9, 2018
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Achievements celebrated at annual Honors Dinner

Carol Colburn Grigor, recipient of the Samuel Simons Sanford Award

Left to right: Benjamin Polak, Peter Salovey, Samuel Simons Sanford Award winner Carol Colburn Grigor, and Robert Blocker

The Yale School of Music held its annual Honors Dinner on Sunday, May 7, welcoming students and alumni, faculty and staff, and distinguished guests to the Yale Commons for an evening of celebration. After thanking recently retired staff members for their service and acknowledging the University officers who were in attendance, YSM Dean Robert Blocker presented Carol Colburn Grigor ’69MMA CBE with the School’s highest honor, the Samuel Simons Sanford Award. Grigor, Blocker, said, “is one of America’s most generous … most thoughtful philanthropists.” Composer and former Edinburgh International Festival director Jonathan Mills congratulated Grigor via video.

Willie Ruff, recipient of the Nathan Hale Award

Left to right: Benjamin Polak, Peter Salovey, Nathan Hale Award recipient Willie Ruff, and Robert Blocker

Dean Blocker, with University President Peter Salovey and Yale Provost Benjamin Polak at his side, presented longtime YSM professor Willie Ruff ’53BM ’54MM, who will retire at the end of the semester, with the University’s prestigious Nathan Hale Award. “He’s changed all our lives,” Blocker said, before attendees were shown a video tribute to Ruff’s life and work. In a nod to the man who indirectly inspired him decades ago to study at YSM, Ruff said, “I thank, most of all, Charlie Parker.” The jazz office in the Yale School of Music’s Adams Center for Musical Arts was recently named in Ruff’s honor.

Left to right: Benjamin Polak, Peter Salovey, Ian Mininberg Distinguished Service Award winner Warren Lee, and Robert Blocker

Blocker presented the Ian Mininberg Distinguished Service Award to pianist Warren Lee ’00MM and the Cultural Leadership Citation to retiring Yale Collection of Musical Instruments curator William Nicholas Renouf ’71MMA. The Collection’s director, William Purvis, accepted the Citation on behalf of Renouf, who was unable to attend the Honors Dinner. Before presenting student prizes, Blocker referenced an impressive number of awards and successes earned and realized this year by students, faculty, and staff. He recognized longtime YSM faculty pianist Peter Frankl, who plans to retire in the fall, for his dedication to the School community.

At the end of the evening, Blocker told the students in attendance, “Claim the future. It belongs to you. You will make us better.” What follows is a list of the student prizes awarded during YSM’s 2017 Honors Dinner. MORE

Published May 9, 2017
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YSM students receive grant from Yale Entrepreneurial Institute’s Venture Creation Program

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Left to right: Igor Lichtmann, Jiwon Sun, Lydia Consilvio, Chris Garwood, and Felice Doynov

A group of five Yale School of Music students have received a grant from the Yale Entrepreneurial Institute’s Venture Creation Program to create a Practice Portal designed to foster dialogue about effective approaches to practicing. The grant includes a $1,000 cash investment and enrollment in YEI’s five-week series of lean-startup workshops. Grantees are also connected with YEI’s network of mentors and a dedicated student Venture Creation Advisor from the Yale School of Management.

The YSM students — oboist Lydia Consilvio ’17MM, flutist Felice Doynov ’17MM, guitarists Chris Garwood ’17MM and Igor Lichtmann ’18MM, and violinist Jiwon Sun ’17MM — developed their project idea after having related discussions during a course taught by YSM’s coordinator of career strategies, Astrid Baumgardner.

“A huge part of our daily life consists of practicing, three to eight hours a day for most people,” Doynov said. “And if we’re not practicing as effectively as possible, we’re not getting better as quickly as possible. What we want to do is use modern technology and the resources we have at Yale to bring musicians valuable information in an online community that focuses on practicing.”

Doynov and her colleagues are in the process of launching a website and have been uploading content to Practice Portal Facebook, Instagram, and Twitter accounts. Doynov said they hope to launch a Practice Portal app, as well.

“The Venture Creation Program,” according to the YEI website, “was created to catalyze and support the growth of new, early-stage ventures at Yale. It is dedicated to providing resources for entrepreneurial teams to commercialize promising, unique products or services.”

Kassie Tucker, YEI’s program director, said the students who conceived Practice Portal are “trying to be innovative in a not-always-innovative space” and are trying to improve on an area that’s a “pain point” for many musicians.

YALE ENTREPRENEURIAL INSTITUTE

Published November 18, 2016
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Victor Wang to join Charlotte Symphony Orchestra as principal flute

Victor Wang

Victor Wang

Victor Wang ’14 BS ’15 MM has won the position of principal flute in the Charlotte Symphony Orchestra. His appointment will begin in the fall of 2016.

Originally from Rochester, NY, Victor recently completed a year as an inaugural member of The Orchestra Now, a new training orchestra that performs at Bard College and around New York City. Victor is an alumnus of Yale College, where he earned a Bachelor of Sciences in molecular, cellular, and developmental biology, as well as the Yale School of Music, where he graduated with a Master of Music in flute performance.

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Published June 28, 2016
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[ students & alumni ]

Jake Fridkis ’14 MM Named Principal Flute of Fort Worth Symphony Orchestra

fridkis_jakeJake Fridkis ’14 MM has been appointed principal flute of the Fort Worth Symphony Orchestra. He was previously serving as principal flute of the South Dakota Symphony.

About Jake Fridkis

With experience as a soloist throughout the world with concerto appearances in United States, Germany, Italy, France, Brazil, Fridkis has served as guest principal flute with Symphony SONG (Korea), the Princeton Symphony, and the Cleveland Philharmonic, and has appeared with the symphonies of St. Louis and New Haven. He recently performed with Fort Worth in August 2015, and praised by the Star-Telegram as “extraordinary in all three concerts” and “the talk of the town.”

Fridkis earned his master’s degree in flute performance from the Yale School of Music in 2014 and is currently pursuing an Artist Diploma at Yale, studying with Ransom Wilson. He is a member of the New York based new music ensemble Le Train Bleu, led by Ransom Wilson. Jacob previously studied at The Cleveland Institute of Music, where he was awarded a Presidential Merit Scholarship as a student of Joshua Smith.

A winner of Yale School of Music’s 2013 Chamber Music Society competition, Jake’s other recent highlights include being named an artist in residence at the Banff Music Centre, flute fellowship at the American Academy of Conducting at Aspen two summers in a row, studying with Mark Sparks; and performances at Carnegie Hall and Avery Fisher Hall in New York and Powell Hall with the St. Louis Symphony. Jake made his NFA convention debut at age 15 premiering Gary Schocker’s flute duet “French Toast” with his brother Gabe and the composer on piano.

 

Published October 30, 2015
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[ Students & Alumni ]

Flutist Meera Gudipati ’17 MM joins New Haven Symphony Orchestra

meera-gudipatiMeera Gudipati ’17 MM has won the position of Principal Flute in the New Haven Symphony Orchestra.

Gudipati recently started her studies at the Yale School of Music as a first-year Master of Music student, and is studying with Ransom Wilson. A native of Los Angeles, Calif., she attended the Colburn Community School of Performing Arts, and received a Bachelor of Music degree from the University of Texas at Austin in 2015. MORE

Published September 24, 2015
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