YSM faculty composer Aaron Jay Kernis wins Grammy Award

Aaron Jay Kernis

Several Yale School of Music alumni took home Grammy Awards on Sunday, Feb. 10. Please join us in congratulating the following musicians on this exciting accomplishment.

Faculty composer Aaron Jay Kernis ‘83MM won a Grammy Award in the “Best Contemporary Classical Composition” category for his Violin Concerto, which was performed by violinist James Ehnes, conductor Ludovic Morlot, and the Seattle Symphony. Ehnes won a Grammy in the “Best Classical Instrumental Solo” for his performance.

Violinist Sheila Fiekowsky ’75MM and cellist Owen Young ’87MM earned Grammy Awards as members of the Boston Symphony Orchestra in the “Best Orchestral Performance” category for the ensemble’s recording of Shostakovich Symphonies Nos. 4 and 11. For that recording, which was engineered by Shawn Murphy, Nick Squire, and Tim Martyn, the Boston Symphony Orchestra also won in the “Best Engineered Album, Classical” category.

Erica Brenner ’89MM earned a Grammy Award for producing Songs of Orpheus, a recording that features tenor Karim Sulayman and Apollo’s Fire, conducted by Jeannette Sorrell, in a performance of music by Monteverdi, Caccini, d’India, and Landi. The recording won in the “Best Classical Solo Vocal Album” category. Brenner, who studied flute at YSM, is a member of the Recording Academy.

Published February 11, 2019
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Members of YSM community earn Grammy nominations

Missy Mazzoli. Photo by Marylene Mey

Grammy Award nominations were announced on Friday, Dec. 7, and several members of the Yale School of Music community made the list. Please join us in congratulating these outstanding musicians.

Composer Missy Mazzoli ’06MM was nominated in the Best Contemporary Classical Composition category for her work Vespers for Violin, performed by Olivia de Prato. In the same category, faculty composer Aaron Jay Kernis ’83MM received a nomination for his Violin Concerto, performed by violinist James Ehnes, conductor Ludovic Morlot, and the Seattle Symphony.

Yale Philharmonia Principal Conductor Peter Oundjian was nominated in the Best Classical Compendium category for Vaughan Williams: Piano Concerto, Oboe Concerto, Serenade to Music, Flos Campi, on which he conducted. The recording was produced by Blanton Alspaugh.

Conductor Martin Pearlman ’71MM was nominated in the Best Classical Instrumental Solo Category for Biber: The Mystery Sonatas, on which he conducted. The recording features violinist Christina Day Martinson and Boston Baroque.

Composer John Adams ’MUSHD received a nomination in the Best Opera Recording category for Adams: Dr. Atomic.

The Boston-based chamber orchestra A Far Cry, which includes alumni violinists Liesl Schoenberger Doty ’11AD and Miki-Sophia Cloud ’08MM, was nominated in the Best Chamber Music/Small Ensemble Performance category for Visions and Variations.

In the Best Orchestral Performance category, three nominations have ties to YSM. The Boston Symphony Orchestra’s recording Shostakovich: Symphonies Nos. 4 & 11, conducted by Andris Nelsons, includes alumni violinist Sheila Fiekowsky ’75MM and cellist Owen Young ’87MM. The San Francisco Symphony’s recording Schumann: Symphonies Nos. 1-4, conducted by Michael Tilson Thomas, includes alumni violinists Gina Cooper ’87MM and John Young ’MM. And the Pittsburgh Symphony Orchestra’s recording Beethoven: Symphony No. 3; Strauss: Horn Concerto No. 1, conducted by Manfred Honeck, includes alumni violinists Irene Cheng ’94MM and Louis Lev ’90MM and alumni trombonist Rebecca Cherian ’81MM.

Published December 10, 2018
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Christopher Theofanidis receives Grammy nomination

Christopher Theofanidis

Christopher Theofanidis

Yale School of Music faculty composer Christopher Theofanidis’ Bassoon Concerto has been nominated for a 2017 Grammy Award in the Best Contemporary Classical Composition category. The piece was recorded by bassoonist Martin Kuuskmann ’02MM and the Northwest Sinfonia, under the direction of Barry Jekowsky.

“Anything like this, which has a visibility beyond the immediate circle of concert music, that’s a really good thing for the field,” Theofanidis ’94MMA ’97DMA said. “It’s kind of like the thing that both your musical and nonmusical friends know.”

Talking about his Bassoon Concerto, Theofanidis said, “It’s a piece that I wrote 20 years ago that had never had a recording until now.” Kuuskmann, whom he’s known since their time at Yale, “really championed the piece.” MORE

Published December 7, 2016
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