YSM Alumni News | May 2019

Miki Aoki

Composers Samuel Adams ’10MM and Suzanne Farrin ’00MM ’03MMA ’08DMA have been named 2019 Guggenheim Fellows.

Kathleen Allan ’14MM has been appointed Artistic Director and Conductor of the Amadeus Choir of Greater Toronto, a 45-year-old symphonic chorus that works regularly with the Toronto Symphony Orchestra.

Pianist Miki Aoki ’02MM released her fourth album, Tokyo Story, in the fall. It contains the world’s first recordings of the original piano scores of the last seven films by Yasujiro Ozu.

Composer Sheila Barnes ’74MM ’75MMA has taught voice at Cambridge University, Trinity College since 2010. In 2018 she adjudicated the Governor’s Prize of the Royal Conservatoire of Scotland and led a forum for composers at the Conservatory of Amsterdam on writing for voice. Barnes is currently writing an opera for the Netherlands Opera and the London-based early music group La Nuova Musica.

Double bassist Andrea Beyer ’15MM, bassoonist Francisco Joubert Bernard ’17MM, violinist Ethan Hoppe ’16MM ’18MMA, double bassist Levi Jones ’16MM, clarinetist Jesse McCandless ’17MM, cellist Alan Ohkubo ’14MM, violist Yuan Qi ’15MM, and violinist Yefim Romanov ’16AD are current fellows in the New World Symphony.

Violinist Claudia Bloom ’80MM is the Director of the Palo Alto School of Chamber Music, an intergenerational chamber music program. Now in its fifth year, the program offers professional coaching for string players, woodwind players, and pianists, and participants comprise a small orchestra.

The Great Necks Guitar Trio, whose members include Scott Borg ’06AD and Matthew Rohde ’07MM, released its debut album, Original Arrangements for Three Guitars, which reached the No. 10 spot on the Traditional Classical Billboard Charts for the week of December 1.

Trumpeter Joel Brennan ’06MM ’07MMA ’11DMA and violist Anne Leilehua Lanzilotti ’08MM are inaugural faculty members at The Tianjin Juilliard School.

Violinist Davis Brooks ’78MM released his fourth solo album, Violin & Electronics 2, in December, featuring music by Richard Einhorn, Filipe Leitão, Frank Felice, Patrick Long, James Aikman, and Otto Luening.

Pianist Lydia Brown ’95MM ’96AD has been named Chair of the Collaborative Piano Department at the Juilliard School for fall 2019. Brown is in her 15th year as Assistant Conductor at the Metropolitan Opera and her 13th year as the head of the vocal program at the Marlboro Music School and Festival.

The St. Martin’s Chamber Choir of Denver performed Two French Noels by Susan Brown ’76MM as part of a series that featured music by women composers, exclusively.

Conductor Hannah Carr ’17MM, Artistic Director of the Hoboken, New Jersey-based Cantigas Women’s Choir, led the group in a May 19 concert called “Music from the Mountaintops.”

Composer Carlos Carrillo ’96MM and flutist Christine Gangelhoff ’95AD recently co-organized Puentes Caribeños (Caribbean Bridges), a Symposium of Caribbean Art Music. The symposium focused on strengthening bonds between composers, performers, artists, and scholars throughout the Caribbean and its diaspora.

Countertenor Jay Carter ’08MM and soprano Sherezade Panthaki ’11AD sang the Houston premiere of Alessandro Stradella’s oratorio San Giovanni Battista with Ars Lyrica Houston in March.

Christopher Cerrone

The Peabody Institute will welcome Christopher Cerrone ’09MM ’10MMA ’14DMA and Harold Meltzer ’97MMA ’00DMA to its composition faculty for the 2019-2020 academic year. Cerrone was awarded a 2019 Charles Ives Fellowship by the American Academy of Arts and Letters.

Eric Cha-Beach ’07MM, a member of So Percussion, has contributed to tracks on the new album I Am Easy to Find by The National and appears on upcoming albums with Caroline Shaw, Buke and Gase, Tristan Perich, and others. So Percussion recently premiered Construction, a new project with choreographer Susan Marshall.

Trumpeter Kelly Dehnert ’86MM will return to Central Wyoming College as Director of Bands in fall 2019. Dehnert was Professor of Music at CWC for 14 years before spending eight years in Malawi, Africa, as Chair of Music at the African Bible College.

Percussionist Peter Derheimer ’88MM completed a tour of Germany with the Real Orquesta Sinfónica de Sevilla in March with the celebrated guitar soloist Pepe Romero.

Conductor Dominick DiOrio ’08MM ’09MMA ’12DMA and NOTUS, the Contemporary Vocal Ensemble at Indiana University’s Jacobs School of Music, have been selected to perform at the 12th World Symposium on Choral Music in Auckland, New Zealand, in July 2020.

The April 2018 issue of The Strad included a feature on Spectrum Concerts Berlin, which opened its 31st season in March. The chamber ensemble is directed by founder and cellist Frank Dodge ’81MM.

Pianist Richard Dowling ’87MM has been appointed Visiting Artist Faculty at the new Aureus Conservatory of Music in Singapore. He will teach individual lessons, give master classes and workshops, and perform solo recitals during each of his six, two-week residencies in 2019 and 2020.

Violinist Gerald Elias ’75MM won first prize in the Creative Nonfiction Essay division of the 2018 Utah Original Writing Competition for his essay “War & Peace. And Music.”

The S&R Foundation announced its 2019 Washington Award winners: Reena Esmail ’11MM ’14MMA ’18DMA, who won the Grand Prize, and trombonist Brittany Lasch ’12MM. Esmail was one of six musicians to be named a 2019 Fellow by United States Artists, an organization that aims to illuminate the value of artists to American society.

The Pasadena Symphony’s 2019-2020 season will include a Composers Showcase featuring the music of up-and-coming composers, including Teen Murti by Reena Esmail and Red, Red Rose by Caroline Shaw’07MM.

Composer Kirsten Vogelsang Eyerman ’84MM recorded and released two albums in the past year, Glowing Prayer and Cello Holiday: Carols and Incantations.

Viola da gambist Grace Feldman’63MM was inducted into the Connecticut Women’s Hall of Fame and was named one of TIAA’s 100 Difference Makers, an honor for which Neighborhood Music School in New Haven, where Feldman taught for 55 years, received $10,000.

Violinist Kirstin Fife ’86MM has had many of her compositions performed this year, including Four Paintings by Salvador Dalí by the Lobo Ensemble and Tango Johana for violin and piano. Her choral piece A Rose was recently performed in South Carolina.

The song “love is a place” by composer Douglas Fisk ’05MM ’06MMA (with text by E.E. Cummings) was included in NewMusicShelf’s Anthology of New Music: Mezzo-Soprano, Vol. I. Fisk was also awarded a 2019 New Work Grant by the Queens Council on the Arts.

Harmonizations and Descants, Parts I & II, by organist Stuart Forster ’98MM ’99AD, were published by Selah Publishing. The books have received praise from the Journal of the Association of Anglican Musicians.

Guitarist Lars Frandsen ’93MM was appointed Director of Music Theory and Ear Training at Nyack College, where he is a full professor at the Manhattan Campus. Dr. Frandsen is also an associate professor and director of classical guitar studies at Brooklyn College, CUNY, where he has taught for 21 years.

Composer Jeff Fuller ’69MM, with the trio Jeff Fuller & Friends, released his third album, Happenstance. Fuller formed the trio in 2014 to perform original music in the jazz tradition, and the group has since played at concerts, festivals, and clubs throughout Connecticut.

In January, harpsichordist Stephen Gamboa-Diaz ’16AD performed the complete Brandenburg Concerti, as the soloist and continuo player, with Chamber Music Silicon Valley.

Eliud Garcia

Trombonist Eliud Garcia ’17MM was selected for the 2019 Puerto Rico Summer Music Festival, with which he will perform Prokofiev’s First Symphony, Tchaikovsky’s Fourth Symphony, and other works on a tour of Puerto Rico.

Zachary Haas ’18MM received an Honorable Mention at the International Trombone Association’s Edward Kleinhammer Orchestral Bass Trombone Competition.

Composer Juliana Hall ’87MM has had 35 song-cycles and vocal chamber works published by E. C. Schirmer, a cycle published by Boosey & Hawkes, and several songs recently chosen for NewMusicShelf’s new art-song anthologies.

As members of the Pacifica Quartet, violinist Austin Hartman ’06AD and cellist Brandon Vamos ’94MM ’95AD gave a concert on the 25th anniversary season of the Neskowin Chamber Music series in Oregon.

Pianist Nansong Huang ’18MM was named a 2019 Luminarts Fellow in Classical Music by the Luminarts Cultural Foundation of Chicago. The fellowship includes a $7,500 award.

Composer Thomas Johnson ’67MM recently presented a new sound installation, Knock on Wood, in Lausanne, Switzerland, in collaboration with Martin Riches. A book of Johnson’s writings in German and English was released by MusikTexte in April.

Percussionists Ji Hye Jung ’09MM, Matthew Keown ’16MM ’22DMA, Svet Stoyanov ’07MM, and Sam Um ’17MM ’18MMA performed the premiere of YSM faculty composer Christopher Theofanidis’ Drum Circles with the Oregon Symphony.

Composer John Kaefer ’01MM scored the upcoming films A Score to Settle, starring Nicolas Cage and Benjamin Bratt, and The Divine Plan, as well as the video game series Quantum Break. Kaefer’s recent concert work States of Motion was premiered by The Hollywood Chamber Orchestra with pianist Molly Morkoski.

Oboist Kristin Kall ’13MM ’14AD was named Director of Operations at the National Repertory Orchestra.

Composer Daniel Kellogg ’01MM ’03MMA ’07DMA was named President of Young Concert Artists in New York City.

Members of the icarus Quartet—percussionist Matthew Keown ’16MM ’22DMA and Jeff Stern ’16AD and pianists Larry Weng ’12AD ’14MMA ’19DMA and Yevgeny Yontov ’14MM ’20DMA—recently won Chamber Music in Yellow Springs’s 34th Annual Competition for Emerging Professional Ensembles.

Soprano Angela Jihee Kim ’11AD sang the role of Mimi in La Bohème with the Orchestra of St. Peter by the Sea at the Algonquin Arts Theatre in New Jersey.

Guitarist Jiyeon “Jiji” Kim ’17MM was the featured soloist in a performance of Rodrigo’s Concerto de Aranjuez with the Sequoia Symphony Orchestra.

Violinist Kyung Jun Kim ’09CERT was awarded fifth prize at the Rising Stars Grand Prix 2018–International Music Competition Berlin.

Baritone Paweł Konik ’17MM started the 2018-2019 season singing Mercutio in Gounod’s Roméo et Juliette at the Opera Śląska in Poland. Konik also made debuts at the Staatsoper Stuttgart in October as Marullo in Verdi’s Rigoletto and with the Kölner Philharmonie as Harlekin in Strauss’ Ariadne auf Naxos.

Pianist Andrew Kraus MM presented a program of works by women composers at the University of Mary Washington in Fredericksburg, Va., in March.

Guitarist Alan Kulka ’12MM released a single, “Special,” available on streaming services.

Jean Margaret Laurenz ’13MM ’14AD joined the faculty at the University of Wisconsin-Madison as Professor of Trumpet.

Trombonist Achilles Liarmakopoulos ’10MM has released a new single, “I will never forget,” with guitarist Spiros Exaras.

Trombonist Richard Liverano ’16MM is the new Manager of Institutional Giving at Liberation Programs, Inc.

Soprano Jamilyn Manning-White ’12AD was featured a soloist in a performance of Vaughan Williams’ Dona Nobis Pacem by the Hartford Chorale and the Hartford Symphony Orchestra in April.

After graduating from Yale, bassoonist Tonia Marcune ’73MM performed with several symphonies on the California coast and taught in the Music Department of the University of Nevada, where she completed a master’s degree in educational psychology. Today, Marcune lives in Boca Raton, Fla., where she works in forensics and performs with a touring orchestra during the summer months.

Organist Vaughn Mauren ’09MM was named Artistic Director of a newly established concert series at St. James Episcopal Church in West Hartford, Conn., and will play a recital to rededicate the church’s recently rebuilt pipe organ in late May.

Guitarist Michael McCallie ’08MM joined the faculty of the McCallie School in Chattanooga, Tenn., as full-time director of the school’s classical guitar program.

The Vic Firth Company released a video for “Five Times,” written for percussionist Kramer Milan ’15MM ’16MMA by Krists Auznieks ’16MM ’22DMA.

Violinist Ai Nihira ’08MM will join the first violin section of the San Diego Symphony for the 2019-2020 season.

Composer Andrew Norman ’09AD was named a 2019 Pulitzer Prize Finalist in Music for his orchestral work Sustain, which was commissioned by the Los Angeles Philharmonic and premiered on October 4, 2018, under the baton of Music and Artistic Director Gustavo Dudamel.

Marissa Olegario ’13MM accepted the tenure track position of Assistant Professor of Music in bassoon beginning in fall 2019 at the University of Arizona’s Fred Fox School of Music.

Composer Timothy Olsen ’88MM ’89MMA ’95DMA was named Professor of Music at Union College in Schenectady, N.Y, where he has taught courses in world music cultures, jazz improvisation, and music theory since 1994. Olsen has also been named Music Director at the Unitarian Universalist Society of Schenectady.

Organist David Perry Ouzts ’87MM co-chaired the liturgy/music committee and conducted music for the consecration of the Fourth Bishop of the Episcopal Diocese of West Tennessee in May. The festival service featured a diocesan choir of 125 singers with organ, brass, and timpani.

Oboist Andrew Parker ’10MM has been named Assistant Professor of Oboe and Director of Summer Music Camps at the Oklahoma State University Greenwood School of Music starting in fall 2019. He is currently Lecturer of Oboe and Music Technology at Brevard College.

Loft Recordings recently released Salome’s Dance, recorded by organist Robert Parkins ’73MM ’75MM ’80DMA on the renovated Aeolian organ in the Duke University Chapel. Parkins’ eighth solo recording features late German Romantic music and works by American composers.

Kim Perlak ’01MM was named Chair of the Guitar Department at the Berklee College of Music in Boston, Mass. Perlak becomes the first woman to chair the department and the fourth person to hold the position since the college added guitar as a principal instrument in 1962.

Flutist Ginevra Petrucci ’12MM ’13AD is launching a multi-step commissioning project to expand the repertoire for the flauto d’amore. A concert program that will include music by Yale composers Gleb Kanasevich ’13MM and Liliya Ugay ’16MM ’22DMA is being planned.

Violinist Igor Pikayzen has been appointed Assistant Professor of Violin at the Lamont School of Music at the University of Denver.

Composer Hilary Purrington ’17MMA joined Barnard College’s Office of Development as Associate Director of Advancement.

Bassoonist Dantes Rameau ’07MM has been selected as one of seven fellows for the DeVos Institute of Arts Management’s 2021 cohort.

Flutist Catherine Ramirez ’02MM released several chamber music videos through a Professional Development Grant from St. Olaf College. Ramirez also won several opportunities through the Sphinx Organization for Latinx and Black orchestral musicians and will participate in the National Alliance for Audition Support’s (NAAS) Audition Intensives at the New World Symphony in Miami and at the Sphinx Orchestral Partners Auditions (SOPA) in Detroit.

Violinist Kate Ransom ’81MM will launch the Serafin Ensemble, which evolved from the Serafin String Quartet, in June. Ransom will also serve as Artistic Director for the Serafin Summer Music festival, which will be presented by the Serafin Ensemble in collaboration with the University of Delaware and The Music School of Delaware.

Rhona Rider

Cellist Rhonda Rider ’80MM is Head of Strings at the Boston Conservatory at Berklee. An Artist-in-Residence at Grand Canyon and Petrified Forest National Parks, she presented her solo cello commissions at UC Davis and Brandeis University. This summer she will hold a contemporary cello music seminar on a farm in upstate New York.

Soprano Natalia Rubiś ’17MMA sang the title role in Halka by Stanisław Moniuszko at the Wroclaw Opera House in Poland under the baton of Adam Banaszak.

Sharon Ruchman ’73MM wrote a memoir, The Gift of Rudy, and a piece for viola and piano, Another Time, to honor her great uncle Rudy Fuchs, a violinist who died at age 25.

Composer Carlos Sanchez-Gutierrez ’91MM was a featured guest at Hong Kong Baptist University’s “The Keyboard in the 21st Century,” an international conference for composers, at the Mexico Remixed Festival at Indiana University’s Jacobs School of Music, and at the Chicago Center for Contemporary Composition.

Tenor Rolando Sanz ’02MM ’03AD has taken on various large-scale projects as Executive Producer, including the world premiere of a new concept opera, I am Anne Hutchinson/I am Harvey Milk by Andrew Lippa, featuring the composer and Kristin Chenoweth.

Marco Sartor ’13MMA ’18DMA was appointed Assistant Teaching Professor of Guitar at Wake Forest University in Winston-Salem, N.C. He will start the position in the fall after three years on the faculty of the New World School of the Arts in Miami, Fla.

Organist Andrew Scanlon ’03MM was a clinician for the Royal School of Church Music Nigerian Training Course, held in Lagos, Nigeria, where he taught organ, choir training, theory, and conducting to organists and choirmasters from various parts of Africa and conducted the RSCM Nigeria National Choir at the closing performance of the conference.

Cellist Inbal Segev ’93CERT will premiere Anna Clyne’s cello concerto Dance in June with the Baltimore Symphony Orchestra under the baton of Music Director Marin Alsop. Segev will record the concerto with Alsop and the London Philharmonic Orchestra in September.

Pianist Yury Shadrin’s ’08MM 2017-2018 season included appearances with the Philippines Philharmonic Orchestra, the Gilmore Festival Orchestra in Kalamazoo, a solo recital at the Mariinsky Theatre in St. Petersburg, Russia, and master classes in Shenzhen, Guangzhou, and Nanning, China.

Bridge Records released Butterflies Remember a Mountain: Arlene Sierra, Vol. 3 in November, featuring the works of composer Arlene Sierra ’94MM. Gramophone praised the album as “a wonderful chamber music issue that enthralls from first bar to last.”

Inbal Segev

The Youth Symphonic Orchestra of Russia gave the world premiere of Across Differences by composer Alvie Singleton ’71MMA at the Zimnij Theatre in February as part of the Winter International Arts Festival.

Composer Caroline Shaw ’07MM and members of the Jasper String Quartet—violinist J Freivogel ’10AD, violist Sam Quintal ’10AD, and cellist Rachel Henderson Freivogel ’10AD—were featured in a concert at the American Music Festival in Morehead City, N.C.

James Austin Smith ’08MM was appointed Co-Principal Oboe of the Orpheus Chamber Orchestra and became Artistic and Executive Director of Tertulia Chamber Music, a series that presents concerts in restaurants in New York and San Francisco.

Conductor Anna Song ’00MM was awarded the 2018 Tom Hellie and Julie Olds Creative Achievement Award for her work as Artistic Director of In Mulieribus, an early music women’s vocal ensemble based in Portland, Ore. In Mulieribus released a new album in March titled Cycles of Eternity featuring contemporary works for women’s voices.

The Tel Aviv Philharmonic Choir premiered Out of the Whirlwind, a cantata for choir, soloists, and narrator by Max Stern MM at the Diaspora Museum of the Jewish People in Tel Aviv in commemoration of International Holocaust Remembrance Day 2019.

Double bassist Alexander Svensen ’10MM was appointed Principal Bassist of the Norwalk Symphony Orchestra. Svensen also retains his position as Assistant Principal Double Bassist of the Springfield Symphony Orchestra.

Composer Augusta Read Thomas MM will have several works premiered this season, including a work for string quartet and percussion quartet commissioned by the Boston Symphony Orchestra for the opening of its Tanglewood Center for Music and Learning, and an opera, Sweet Potato Kicks the Sun, for the Santa Fe Opera.

Horn player Josh Thompson ’17MM ’18MMA will join the Washington, D.C.-based wind quintet District5.

In January, tubist Daniel Trahey ’03MM held a residency with the Orquesta Sinfónica Nacional Juvenil, Chile’s national youth orchestra, where he worked with students, trained educators, and collaborated with professional orchestral musicians to collectively compose a new work based on civil rights issues in Latin America.

Composer Jay Wadley ’07MM ’08AD created the score for the upcoming Netflix series Tales of the City.

Composer Joseph Waters ’82MM presented pieces from his developing work El Colibrí Mágico (The Magic Hummingbird), an opera-musical about Honduran refugees attempting to cross the border, at The Cutting Room in New York City in November and at the NWEAMO Festival in San Diego in April.

Conductor Amanda Weber ’13MM accepted the position of Interim Director of Choral Ministries at Westminster Presbyterian Church in downtown Minneapolis, Minn. Weber also celebrated three years of directing the Voices of Hope Women’s Prison Choir, which she founded in October 2015 at the Minnesota Correctional Facility in Shakopee.

Clarinetist Jason Weinberger ’97MM, Artistic Director of the Waterloo-Cedar Falls Symphony in Iowa, recently founded the concert production company The New Live, which aims to bring sophisticated multimedia productions to orchestras and other presenters worldwide.

Pianist Amy Yang ’10AD performed as a guest artist with the Newport Symphony Orchestra in Newport News, Va. on a concert featuring Clara Schumann’s Piano Concerto and Prokofiev’s Piano Concerto No. 1.

Pianist Clara Yang ’06MM ’07AD was featured as a guest artist with the Winston-Salem Symphony, playing Mozart’s Piano Concerto No. 25 in C Major, K. 503.

Pianist Hanna Yukho ’17MMA hosted “Celebrate the Gift of Hearing with an Evening of Music” in Winchester, Mass., an event that raised money for Massachusetts Eye and Ear to aid research of causes and treatments for children with hearing loss.

Published May 17, 2019
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YSM Alumni News | November 2018

Molly Joyce. Photo by Nadine Sherman

Flutist Amanda Baker ’00MM returned to Yale in April 2018 to become Senior Associate Director for Young Alumni for the Yale Alumni Fund. She was also a guest lecturer this spring at the University of Hartford, where she taught “Entrepreneurship in the Arts,” and continues to teach flute at Eastern Connecticut State University.

Double Bassist Mark Elliot Bergman ’97MM received a Performing Arts Fellowship in Music from the Wyoming Arts Council, one of four recipients in the state. Bergman’s winning original compositions include Ondine, The Temple, and Shenandoah Suite, a string trio commemorating the 75th anniversary of the founding of Shenandoah National Park.

Violist Emily Grace Brandenburg ’17MMA was named Administrative Assistant at the McDuffie Center for Strings at Mercer University in Macon, Ga. MORE

Published November 7, 2018
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YSM now accepting applications for fall 2018 enrollment

Violinist Wynton Grant ’17MM. Photo by Matt Fried

The School of Music is now accepting applications for enrollment in fall 2018. “We have openings in all areas, including the tuba and harpsichord studios and the orchestral conducting program,” Donna Yoo, YSM’s director of admissions and alumni affairs, said. “It is unusual for us to have available spaces across all programs, and we are looking forward to welcoming new students to all areas of study.”

The Admissions Office anticipates interest in the School’s revamped B.A./M.M. program, which is now open to applications from high-school seniors. The program, Yoo said, “should appeal to students who are interested in pursuing both academic and musical excellence at an Ivy League institution.”

The School will announce available fellowship opportunities in December. These would include openings in the string quartet fellowship program and the recently launched collaborative piano program. Applications for the Morse Postgraduate Teaching Artist Fellowship will also be accepted starting in December.

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Published September 15, 2017
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Convocation 2017 defines YSM as place for “Music Among Friends”

School of Music Dean Robert Blocker often describes music as “the currency of hope” and has long championed the School’s commitment to inclusivity and diversity. That commitment was reiterated emphatically on Thursday night in his 2017 Convocation speech, “Music Among Friends,” in which he celebrated “courage, inclusivity and diversity, connectedness, tolerance and respect, and compassion.” Upon its founding, he said, “the School of Music opened wide its doors and heart to all those who brought their gifts of talent and intellectual curiosity to campus.” Today, Blocker pointed out, the School stands in solidarity with those whose place in our community hangs in the balance.

“All of us bring anxieties, concerns, and even fears about the human condition to this room tonight,” he told new and returning students, faculty, staff, alumni, and guests, “for we live in a time in which human dignity and indeed humanity are being assaulted throughout the world. Nothing, I think, is as incomprehensible and unimaginable as the vengeful rescindment of the Deferred Action for Childhood Arrivals policy, known as DACA. Now, these young people we call Dreamers live with fear rather than hope. This action touches our community profoundly because we are witnesses to the deep grief and stressful uncertainty these Dreamers and their families suddenly face. I do believe reasonable and compassionate leaders among us hear and feel the anguished cries of Dreamers and that they, with our encouragement and support, will find a way to keep their American dream alive.”

Connecting YSM’s values to its mission, Blocker said, “music teaches us that every voice is distinct and important, that each is necessary for harmony, and that is precisely why we know that our combined voices will help repair our troubled world.”

Following University Provost Benjamin Polak’s installation of the incoming class, whose members come from five continents, 25 countries, 26 states, and 58 institutions, Convocation attendees sang Schubert’s An die Musik (with Franz von Schober’s text, as translated by YSM faculty bass-baritone Richard Cross), as is School tradition. Blocker then delivered his remarks before introducing the faculty, alumni, and current students who performed as part of the ceremony.

Violinist Daniel S. Lee ’06MM ’08AD, a newly appointed faculty member in early music whose ensemble, The Sebastians, is in residence at the Yale Collection of Musical Instruments, performed Heinrich Ignaz Franz von Biber’s Sonata No. 3 in F major, C. 140 (from Sonatae, violino solo) with faculty harpsichordist Arthur Haas. Bass-baritone Dashon Burton ’11MM sang “Grosser Herr, o starker König,” from Bach’s Christmas Oratorio, BWV 248, and “Mache dich, mein Herze rein,” from the St. Matthew Passion, BWV 244, with pianist David Fung ’11MM ’13MMA ’17DMA. And violinist Sirena Huang ’19AD performed Tchaikovsky’s Valse-Scherzo, Op. 34, with pianist Lam Wong ’18MM.

The performances added punctuation to Blocker’s remarks, which concluded with him telling members of the incoming class that “here at YSM, you will experience fully the gift that is ‘Music Among Friends,’ and encouraging all in attendance, referencing a favorite story about Robert Louis Stevenson, to “take hope, and make holes in the dark with the beauty and light of your music.”

Photos by Harold Shapiro

Published September 8, 2017
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[ concerts ]

Tiam Goudarzi, recorder and Paolo Zanzu, harpsichord perform Nov. 11

paolo-zanzu-webThe Yale Collection of Musical Instruments at the Yale School of Music presents Baroque recorder player Tiam Goudarzi and harpsichordist Paolo Zanzu on Wednesday, November 11 at 5:30 pm. The program, entitled Dissertazione corelliana (Corellian dissertation), explores the rise of the Roman school of instrumental music in the 18th century.

The duo will open and close the program with two sonatas from Arcangelo Corelli’s Opus 5. The collection was originally written as a set of 12 violin sonatas; Goudarzi and Zanu will open the program with the Sonata in B-flat major, Op. 5, No. 9 and will close with the Sonata in E-flat major, Op. 5, No. 1.

Zanzu will then play three short keyboard pieces by Domenico Scarlatti: the Sonata in A major, K. 113; Sonata in A major, K. 114; and Sonata in C minor, K 115. The pair will team up again for a performance of Georg Frideric Händel’s Recorder Sonata in D minor, HWV 367, and William Babell’s “Vo’ far guerra” from the opera Rinaldo. Zanzu will perform one more work for solo harpsichord, Händel’s Harpsichord suite in B-flat major, HWV 434, before the closing Corelli work.

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Published October 27, 2015
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[ in the press ]

Yale Alumni Magazine: Celebrity harpsichord?

ycmi-harpsichordYale Alumni Magazine | Mar/Apr 1015

Some time in the late nineteenth century, an unknown antiques dealer decided that this harpsichord wasn’t glamorous enough. It’s a rare 1770 instrument by Pascal Taskin, harpsichord maker to King Louis XV and head of the most admired workshop in the history of French harpsichords. Nevertheless, it got a makeover. Taskin’s name was allowed to remain on it—but “Restored by Taskin” was added, to suggest an earlier maker. Paintings were incorporated to imply that it once belonged to Émilie du Châtelet (1706–49), an important French scholar and Voltaire’s mistress from 1733 to 1740. The woman seen here on the inside of the lid is meant to resemble her, and the chateau to her right is Cirey, where she lived with Voltaire. MORE

Published May 20, 2015
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New York Times: Plucking Notes, and Strings, of Long Ago

New York Times | By Phillip Lutz

In 1640, Andreas Ruckers of Antwerp was producing harpsichords of such clarity and consistency that they were the envy of Northern Europe. Most of those harpsichords, like others of their vintage, have disappeared or been radically altered, sometimes with disastrous results.

audio-tour-home

One that hasn’t, however, sits among the more than two dozen period keyboards on display at the Yale Collection of Musical Instruments in New Haven. Apart from the slight extension of its range in the early 18th century, the floridly adorned, single-manual instrument remains fundamentally untouched, its soundboard yielding a brilliant tone that, on a recent weekday, carried throughout the collection’s quarters, a onetime fraternity house on Hillhouse Avenue. MORE

Published March 30, 2015
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[ concerts ]

The Glorious Year 1685: Arthur Haas in recital Jan. 21

Arthur HaasThe Faculty Artist Series at the Yale School of Music presents harpsichordist Arthur Haas in a solo recital on Wednesday, January 21 at 7:30 pm.

1685 had far-reaching consequences for the history of music. Three of the most distinguished Baroque musicians and composers were born that year: Johann Sebastian Bach, George Frederic Handel, and Domenico Scarlatti. This recital will celebrate these composers’ birth year with Handel’s Suite in E Major, three sonatas by Scarlatti, and Bach’s Chromatic Fantasy and Fugue.

In addition, Haas will perform music written in or around 1685 by Henry Purcell, Bernardo Pasquini, and Jean-Henri D’Anglebert. These composers comprise the first half of the program, with Purcell’s Suite in G minor, Z. 661; three pieces in G minor by Pasquini; and D’Anglebert’s Transcriptions de Lully. MORE

Published January 15, 2015
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[ faculty ]

In memoriam: Richard Rephann, 82

Richard Rephann at the Collection of Musical Instruments

Richard Rephann at the Collection of Musical Instruments

Richard Rephann, harpsichordist and director emeritus of the Yale Collection of Musical Instruments, died peacefully at Arden Courts Memory Care Community in Hamden, Connecticut, on 29 December 2014. A victim of Alzheimer’s disease, he was 82.

The elder son of Clarence Franklin Rephann and Thelma Louise Hamill, Richard Thaddeous Rephann was born on February 9, 1932 in Frostburg, Maryland. As a teen, he attended the Johns Hopkins University Peabody Conservatory of Music in Baltimore, where he studied piano under Mieczyslaw Munz and Alexander Sklarevsky.

His long association with Yale University began in the fall of 1961, when he became a harpsichord pupil of Ralph Kirkpatrick. Following the completion of a master’s degree in 1964, he received faculty appointments as Instructor in Harpsichord Playing in the School of Music and Assistant Curator of the Collection of (Historical) Musical Instruments. In 1968, he became Director of the Collection (a post he held for 37 years), while being appointed full Professor (Adjunct) of Organology and Harpsichord Playing in the School. MORE

Published January 9, 2015
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Arthur Haas performs harpsichord music of Jean-Philippe Rameau

Arthur Haas

The Yale School of Music’s Faculty Artist Series presents American harpsichordist Arthur Haas, a world-renowned performer and scholar of French Baroque music, in a concert of works by Jean-Philippe Rameau on Saturday, February 1st at 5 pm. The concert takes place in Morse Recital Hall, located in Sprague Hall at 470 College Street.

A member of the YSM faculty, Arthur Haas is an authority on the music of Rameau; he recently recorded the composer’s complete harpsichord works for Plectra Records. He has also been praised by Le Monde for his interpretations of French keyboard music. This concert will feature selections from Rameau’s three books of keyboard pieces (written in 1706, 1724, and 1728), as well as the standalone piece La Dauphine  (1747). MORE

Published January 28, 2014
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