[ in the press ]
Village Voice |
It begins much like any show at any small club in New York. Under glowing lights, the musicians, in casual clothing, take up their instruments. They smile at one another with a relaxed warmth; they acknowledge their audience. They begin to play.
It sounds like indie rock, familiar and pleasant. The singer’s voice is sweet and smooth. And then you notice: She’s not singing words, but making sounds that mimic actual lyrics. What started as a melody line is lasting too long and becoming strange. One of the players moves his body in a way that looks painful, then does something to his instrument that makes it sound like it’s breaking. It is otherworldly and uncanny. It is definitely not a rock concert.
This is Invisible Anatomy, a contemporary classical chamber ensemble. On January 28 they premiere a new evening-length work, Dissections, at National Sawdust, Brooklyn’s recently opened hub for experimental music. Like the venue, Invisible Anatomy aim to break down the barrier between pop and so-called New Music — and they want it to be fun. MORE
[ alumni ]
Invisible Anatomy, a composer/performer collective comprised of seven Yale School of Music alumni, will perform their original program Body Parts in Beijing this May and June.
The members of Invisible Anatomy are Fay Wang, voice; Brendon Randall-Myers, guitar; Paul Kerekes, piano/keyboards; Daniel Schlosberg, piano/keyboards; Ian Gottlieb, cello; Samuel Adams, double bass; and Benjamin Wallace, percussion.
The group describes Body Parts as “an exploration of the human body as the most fundamental aspect of performance.” The concert of seven compositions, written by the members of the group, “dismembers, transforms, and reanimates the performing body.”