Sir Jonathan Mills to host public lectures at Yale fall 2019

Sir Jonathan Mills. Photo by Seamus McGarvey

Sir Jonathan Mills will present a series of three lectures in October 2019. Mills, who is known for his directorship, from 2006 until 2014, of the internationally celebrated Edinburgh International Festival, has also led prestigious festivals in his native Australia and is recognized around the world for his thought-provoking compositions. Mills holds a bachelor of music degree in composition from the University of Sydney and a master of architecture degree from the Royal Melbourne Institute of Technology. He was appointed Officer of the Order of Australia in 2011 and knighted in 2013.

Wednesday, October 9, 2019

“Culture and Well-being: Connections Between Health and Music”

Yale School of Public Health
This event is by invitation only

How can culture contribute to the health and well-being of human society? The sustainable provision of health care is of vital concern for governments around the world. A growing body of neurological and clinical research indicates that participation in cultural activity offers long-lasting benefits for a range of medical conditions. How can the social and economic benefits of the arts be understood and implemented by policy makers, commercial medical insurers, and clinical practitioners? How can the arts improve health outcomes for traditionally marginalized or neglected communities?

Tuesday, October 15, 2019

Classical Traditions: The Many Rather than the Few

Yale School of Music, Leigh Hall, Room 211
11 a.m. | Free and open to the Yale community

The past millennium has been dominated by European science and technology, culture, and philosophy. There is some plausible speculation that an era of European hegemony might possibly be drawing to a close.

We have already begun to enter historical period in which no single culture, ideology, theocracy, or politics will be all pervasive or dominant. We are now living in a world in which knowledge comes simultaneously from various, divergent technological, ethical, cultural, and philosophical sources and locations.

In an era increasingly concerned with the politics of identity, at a time of heightened sensitivity about the social and cultural implications of certain dominant hegemonies, is it not time to celebrate, in a spirit of curiosity and generosity, the existence of many diverse and unique classical artistic traditions, rather than continue to assert the primacy of a single tradition?

 Monday, October 21, 2019

Managing the Art of the Unexpected

Yale School of Music, Leigh Hall, Room 402
4:30 p.m. | Free and open to the Yale community

How does one respond to a passionate and heartfelt demand by a group of highly motivated members of the public to cancel a tour, by an ensemble from a country whose government engages in widely acknowledged and highly controversial policies, when one is directing an international festival that the tour is slated to visit? In such circumstances, are artists to be treated as pawns in a larger geopolitical dialogue or individuals who need protection?

What happens when a war erupts in a nation from which a large-scale company of your most prominent performers is about to depart?

Drawing very directly on his personal experiences as both the CEO and Artistic Director of one of the world’s largest festivals—the Edinburgh International Festival—composer Jonathan Mills considers the sometimes challenging roles of being a chief executive and an artistic leader of an arts organization. In this lecture, Mills reflects on some of the strategic and diplomatic dimensions of running a prominent arts institution and offers some advice about the sorts of political confrontations that no one is warned about in advance of taking a job as a cultural leader.

Published October 8, 2019
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Sir Jonathan Mills to host public lectures at Yale

Sir Jonathan Mills. Photo by Seamus McGarvey

Sir Jonathan Mills will present a series of three public lectures that will collectively address issues related to “The Role of Culture in the Contemporary World.” Mills, who is known for his directorship, from 2006 until 2014, of the internationally celebrated Edinburgh International Festival, has also led prestigious festivals in his native Australia and is recognized around the world for his thought-provoking compositions. Mills holds a bachelor of music degree in composition from the University of Sydney and a master of architecture from the Royal Melbourne Institute of Technology. He was appointed Officer of the Order of Australia in 2011 and knighted in 2013. All lectures are free and open to the Yale community.

 

Tuesday, October 2

“Culture and the Gift Economy”

Jackson Institute for Global Affairs, General Motors Room

11:30 a.m. – Buffet Lunch, Noon – Lecture

Register at jacksonlecture100218.eventbrite.com

In a world that seems addicted to measuring every aspect of human activity in terms that are almost exclusively economic, what role can there be for culture? How can the impact of the arts be measured? Are alternative types of value systems required to help explain the importance and worth of culture?

Beginning with the origins of the Edinburgh International Festival, Jonathan Mills, the Festival’s former director, explores the role an arts festival plays in building social and economic confidence at a time of financial hardship and mistrust, in a wide-ranging lecture that touches on the groundbreaking work of anthropologist Bronislaw Malinowski and the idea of a “gift economy.”

 

Monday, October 15

“Music and the Sacred Dimensions of Time”

Institute of Sacred Music, Great Hall

409 Prospect St. (Divinity Quandrangle)

4 p.m., reception to follow

Drawing on sacred and secular musical examples from Josquin, Beethoven, Messiaen, and Boulez, the writings of philosopher Henri Bergson, and the poetry of T.S. Eliot, composer Jonathan Mills argues that music has a unique capacity to enable us to experience time as a heightened and emotional phenomenon — and, further, that it may itself become timeless.

 

Monday, October 22

“Culture and Well-being: Connections Between Health and Music”

Yale School of Public Health, 47 College St., Room 106

4 p.m., reception to follow

How can culture contribute to the health and well-being of human society? The sustainable provision of health care is of vital concern for governments around the world. A growing body of neurological and clinical research indicates that participation in cultural activity offers long-lasting benefits for a range of medical conditions. How can the social and economic benefits of the arts be understood and implemented by policy makers, commercial medical insurers, and clinical practitioners? How can the arts improve health outcomes for traditionally marginalized or neglected communities?

Published September 27, 2018
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Achievements celebrated at annual Honors Dinner

Carol Colburn Grigor, recipient of the Samuel Simons Sanford Award

Left to right: Benjamin Polak, Peter Salovey, Samuel Simons Sanford Award winner Carol Colburn Grigor, and Robert Blocker

The Yale School of Music held its annual Honors Dinner on Sunday, May 7, welcoming students and alumni, faculty and staff, and distinguished guests to the Yale Commons for an evening of celebration. After thanking recently retired staff members for their service and acknowledging the University officers who were in attendance, YSM Dean Robert Blocker presented Carol Colburn Grigor ’69MMA CBE with the School’s highest honor, the Samuel Simons Sanford Award. Grigor, Blocker, said, “is one of America’s most generous … most thoughtful philanthropists.” Composer and former Edinburgh International Festival director Jonathan Mills congratulated Grigor via video.

Willie Ruff, recipient of the Nathan Hale Award

Left to right: Benjamin Polak, Peter Salovey, Nathan Hale Award recipient Willie Ruff, and Robert Blocker

Dean Blocker, with University President Peter Salovey and Yale Provost Benjamin Polak at his side, presented longtime YSM professor Willie Ruff ’53BM ’54MM, who will retire at the end of the semester, with the University’s prestigious Nathan Hale Award. “He’s changed all our lives,” Blocker said, before attendees were shown a video tribute to Ruff’s life and work. In a nod to the man who indirectly inspired him decades ago to study at YSM, Ruff said, “I thank, most of all, Charlie Parker.” The jazz office in the Yale School of Music’s Adams Center for Musical Arts was recently named in Ruff’s honor.

Left to right: Benjamin Polak, Peter Salovey, Ian Mininberg Distinguished Service Award winner Warren Lee, and Robert Blocker

Blocker presented the Ian Mininberg Distinguished Service Award to pianist Warren Lee ’00MM and the Cultural Leadership Citation to retiring Yale Collection of Musical Instruments curator William Nicholas Renouf ’71MMA. The Collection’s director, William Purvis, accepted the Citation on behalf of Renouf, who was unable to attend the Honors Dinner. Before presenting student prizes, Blocker referenced an impressive number of awards and successes earned and realized this year by students, faculty, and staff. He recognized longtime YSM faculty pianist Peter Frankl, who plans to retire in the fall, for his dedication to the School community.

At the end of the evening, Blocker told the students in attendance, “Claim the future. It belongs to you. You will make us better.” What follows is a list of the student prizes awarded during YSM’s 2017 Honors Dinner. MORE

Published May 9, 2017
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[ announcements ]

Pamela Frank, Jonathan Mills, and Charles Neidich visit YSM

Jonathan Mills | Photo by Seamus McGarvey

Jonathan Mills | Photo by Seamus McGarvey

The Yale School of Music’s revised Artist Diploma program is designed for a highly select number of young instrumentalists and singers who have demonstrable potential for a major concert career. No more than three students will be admitted to the AD each year. Admission to this program requires two campus auditions. The first round of auditions is heard by YSM artist faculty; the final round will be adjudicated by an external committee.

The final round of auditions will take place on Saturday, February 27, 2016 in Morse Recital Hall. This year, the three guest judges are Pamela Frank, Jonathan Mills, and Charles Neidich. MORE

Published February 24, 2016
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