On April 24, 2013 at 4 pm, Mario Aschauer will present a lecture called, “Has Equal Temperament Really Ruined Harmony?” The event takes place in Hendrie Hall, Room 205. Aschauer is a postdoctoral fellow at the Yale School of Music pursuing research for a book on Anton Bruckner’s compositional procedures.
Has equal temperament really ruined harmony, as R. Duffin’s Book of 2007 suggests? And if yes: how? This lecture will provide the theoretical and acoustical basics necessary to understand the fundamental problem of keyboard tuning and the manifold solutions theorists and musicians have come up with throughout the last four centuries of music history. There will also be a chance to listen to a harpsichord piece played in several historical temperaments.
Austrian scholar-performer Mario Aschauer has concertized extensively as a harpsichordist throughout Europe. His dissertation on German Keyboard Treatises in the Second Half of the 18th Century was published by Bärenreiter Verlag, Kassel, in 2011. For recent new editions of Schubert’s Moments Musicaux, Impromptus, and Late Piano Pieces, Mario developed fingerings and provided notes on performance practice. He received his training as a conductor, musicologist, and harpsichordist from conservatories and universities in Linz, Salzburg and Vienna.
This event is presented by the piano department of the Yale School of Music.