[ students & alumni ]

Faculty, Alumni, and Students Receive NEA Grants

The National Endowment for the Arts recently announced the recipients of their Art Works Grants for 2016, and several faculty, alumni, and student composers are among the awardees. The organization awarded $27 million for arts projects across the United States, and the first round of FY 2016 funding inaugurates the next 50 Years of National Endowment for the Arts Support.

The NEA defines “Art Works” as referring to three things: the works of art themselves, the ways art works on audiences, and the fact that art is work for the artists and arts professionals who make up the field. The NEA recognizes these catalytic effects of excellent art, and the key role that arts and design organizations play in revitalizing them. MORE

Published March 1, 2016
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[ in the press ]

NYT: Composers’ collectives offer creativity and challenges

Composition Collective Sleeping Giant

Composition Collective Sleeping Giant

The New York Times | By Corinna da Fonseca-Wollheim

The cellist Ashley Bathgate took her bow at Le Poisson Rouge last Tuesday after the premiere of “Ash,” an evening-long work inspired by Bach’s six suites for solo cello. Then she squinted into the dimmed nightclub and made the usual hand motion of a performer beckoning the composer to share in the applause.

But Ms. Bathgate’s gesture did not just bring out a composer: It sparked a procession of dark-clothed men in their 30s who ascended the stage and lined up, smiling, behind her like a genial security detail. The men belonged to Sleeping Giant, the composers’ collective that produced “Ash” and comprises six members: Timo Andres, Christopher Cerrone, Jacob Cooper, Ted Hearne, Robert Honstein and Andrew Norman.

The men met as students at Yale University and dispersed to different corners of the country, each making an individual mark on the new-music scene. But for works like “Ash,” which Ms. Bathgate commissioned under the working title “Bach Unwound,” the composers come together, in gargantuan email chains and in Google Hangout sessions lasting hours, to collaborate on multi-movement pieces that seek to preserve their own voices within a common dramatic arc. MORE

Published January 17, 2016
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[ in the press ]

Michael Gordon ’82 MM Goes for Broke with ‘Rushes’ for Bassoon Septet

rushesWQXR
By Brad Balliett

Why is it that so many composers are reticent to write for the bassoon? The misconception that it is clumsy, slow, liable to play out of tune? The temperamental reeds? The fact that Schoenberg omitted it from Pierrot?

Whatever the case, bassoonists everywhere can thank their lucky stars for Dana Jessen, an enterprising bassoonist who took matters into her own hands, beginning a bassoon-crowd-sourced commissioning project for major works for bassoon ensemble. The first commission went to Bang On A Can co-founder Michael Gordon, and the result, Rushes, defies expectations. MORE

Published March 24, 2014
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