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Folk Music From Imaginary Culture Floods Woolsey Hall

Hannah Lash, composition facultyNew Haven Independent | Adam Matlock

The New Haven Symphony Orchestra kicked off their 2015–2016 season with a bold statement, indicating their commitment to replenishing not only the repertoire of orchestral music, but also the audience for it.

Last Thursday night saw Woolsey Hall filled with families as part of the “School Night at the Symphony” program the orchestra is running this season, and the initiative is admirable, allowing audiences to attend who would not ordinarily be able to. Thursday’s program featured three works by composers known for their connections to folk music. Three — Antonin Dvorak, Jean Sibelius, and Edvard Grieg — are comfortably part of the established canon. The fourth work was a piece commissioned from composer Hannah Lash, who is creating a folk music to match an otherworldly document nearly five centuries old: the baffling and highly intriguing Voynich Manuscript, housed in Yale’s Beinecke Rare Book and Manuscript Library. MORE

Published October 14, 2015
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Pupils Become Maestros

New Haven Independent
By Lucy Gellman

On a balmy Thursday last week, the students of Morse Summer Music Academy fanned out across New Haven for the first of their new “pop up concerts,” setting up shop inside the Peabody Museum and outside the Yale School of Music. Katherine Roque led the charge in a thicket of high school-aged students, joining an ensemble that was down one flutist. A few blocks away, Jocelyn Hernandez, Jesus Cortes-Sanchez and Richard Romero looked after the groups they had been “coaching” for a mere three days, readying them for their first public appearance.

Group1-550x393What sets Roque (flute), Cortes-Sanchez (clarinet), Hernandez (clarinet) and Romero (alto saxophone) aside from the other teachers this summer is not just their bubbly and hands-on approach, but their age. Unlike the Academy’s typical bunch—graduate students at the Yale School of Music and several New Haven Public Schools (NHPS) teachers—the four are newly minted high school graduates, and the Summer Music Academy’s first crop of NHPS student interns. All four are also New Haven Promise scholars.

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Published July 17, 2014
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Bach’s In Good Hands

Parisot-550x374New Haven Independent
By Lucy Gellman

Nonononono.” Aldo Parisot said with a sudden lowering of his hands, bringing a panoply of bows, all fiercely swinging to Antonio Vivaldi’s “Concerto No. 4 in F minor” (“Winter”) from The Four Seasons, to an abrupt halt.

“Somebody screwed it up. Was it you?”

A single finger pointed to the chest of a young cellist, who seemed to tighten his grip around the bow as he nodded solemnly.

There is much to know about Parisot, the founder and director of the Grammy-nominated, internationally recognized Yale Cellos. Two facts stand out this time of year. MORE

Published April 8, 2014
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