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Afro-Brazilian, 20th century
Perere
Bahia , 1995

Classification: Chordophone

Credit Line: Gift of Robert Farris Thompson

Accession Number: 4203.2010

Department: Yale Collection of Musical Instruments

Description

Musical bow, or simple single-stringed instrument. Played by striking the string with a beater while changing tension in the bow to change the sound. Decorative geometric designs on ends of bow. Origin is probably sub-Saharan African. Eventually came to be used in the Afro-Brazilian martial art 'capoeira'.

Parts and accessories of the berimbau:
- Verga: Wooden bow that makes up the main body of the Berimbau.
- Arame: Steel string.
- Cabaça: Opened, dried and hollowed out gourd secured to the lower portion of the berimbau, used to amplify and resonate the sound.
- Pedra or Dobrão: Small stone or coin pressed against the arame to change the tone of the berimbau.
- Baqueta: Small stick struck against the arame to produce the sound.
- Caxixí: Small rattle that optionally accompanies the baqueta in the same hand.

Capoeiristas split berimbaus in three categories:
- Berra-boi or Gunga: lowest tone.
- Médio (others say 'viola'): medium tone.
- Viola ('violinha' if the medium tone is viola): highest tone

Dimensions

Overall length: 136.0 cm

Images:
Image 1
Image 2
Image 3

Berimbau

Berimbau, By Perere, 1995, Chordophone, Photo credit: Christopher Gardner

Photo credit: Christopher Gardner

Description

Musical bow, or simple single-stringed instrument. Played by striking the string with a beater while changing tension in the bow to change the sound. Decorative geometric designs on ends of bow. Origin is probably sub-Saharan African. Eventually came to be used in the Afro-Brazilian martial art 'capoeira'.

Parts and accessories of the berimbau:
- Verga: Wooden bow that makes up the main body of the Berimbau.
- Arame: Steel string.
- Cabaça: Opened, dried and hollowed out gourd secured to the lower portion of the berimbau, used to amplify and resonate the sound.
- Pedra or Dobrão: Small stone or coin pressed against the arame to change the tone of the berimbau.
- Baqueta: Small stick struck against the arame to produce the sound.
- Caxixí: Small rattle that optionally accompanies the baqueta in the same hand.

Capoeiristas split berimbaus in three categories:
- Berra-boi or Gunga: lowest tone.
- Médio (others say 'viola'): medium tone.
- Viola ('violinha' if the medium tone is viola): highest tone

Dimensions

Overall length: 136.0 cm

Afro-Brazilian, 20th century
Perere
Bahia , 1995

Classification: Chordophone

Credit Line: Gift of Robert Farris Thompson

Accession Number: 4203.2010

Department: Yale Collection of Musical Instruments

Description

Musical bow, or simple single-stringed instrument. Played by striking the string with a beater while changing tension in the bow to change the sound. Decorative geometric designs on ends of bow. Origin is probably sub-Saharan African. Eventually came to be used in the Afro-Brazilian martial art 'capoeira'.

Parts and accessories of the berimbau:
- Verga: Wooden bow that makes up the main body of the Berimbau.
- Arame: Steel string.
- Cabaça: Opened, dried and hollowed out gourd secured to the lower portion of the berimbau, used to amplify and resonate the sound.
- Pedra or Dobrão: Small stone or coin pressed against the arame to change the tone of the berimbau.
- Baqueta: Small stick struck against the arame to produce the sound.
- Caxixí: Small rattle that optionally accompanies the baqueta in the same hand.

Capoeiristas split berimbaus in three categories:
- Berra-boi or Gunga: lowest tone.
- Médio (others say 'viola'): medium tone.
- Viola ('violinha' if the medium tone is viola): highest tone

Dimensions

Overall length: 136.0 cm

Images:
Image 1
Image 2
Image 3